Showing posts with label soul. Show all posts
Showing posts with label soul. Show all posts

Thursday, February 19, 2026

The Terminal of Eternity




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The Terminal of Eternity

Saxena was one of those overworked IT honchos whose smartwatch kept reminding him to breathe as if he were a guest user on his own lungs. His startup was at that delicate stage where it needed funding, which basically meant Delhi, meetings, and unlimited “follow-ups.”

He flew from Bangalore to Delhi, met a series of HNIs( high networth individuals )—each one promising “Let me think about it”—until midnight. By then he was stretched thinner than a government file.

He checked into a super deluxe hotel, ordered his so-called power dinner, and collapsed on the bed. He expected to wake up tired. Instead, he woke up nobody.

No room.
No bed.
Not even a body.

Just a vast, silent emptiness—something like an airport terminal whose architect forgot to submit the drawings. Saxena wasn’t sure he even had eyes, but he felt awake.

Voices floated around him—shocked, confused, multilingual. A Tamil worry, a Punjabi protest, an English complaint. He understood all of them, perfectly. Strangely, none of them had faces. Or forms. They were just… presences.

A soft glow appeared, like an inverter bulb saving electricity for someone else. A calm voice announced:

“Welcome. You are at the Terminal of Eternity. Departures only.”

Panic erupted.

“Terminal? Kaun sa flight?”
“I have an early meeting!”
“My EMI is due!”
“Return ticket??”

Saxena, who had seen enough production issues at 2 AM to stay calm, asked, “What happened to us?”

The voice replied with the efficiency of a seasoned passport officer:

“Simple. You died. Your brain carried your memories. That hardware is gone. You are now just consciousness—without baggage.”

Saxena felt oddly peaceful.
No deadlines.
No term sheets.
No KPIs breathing down his neck.
Just awareness.

One by one, the formless presences were pulled toward a soft radiance—each “boarding” silently.

Saxena drifted too, and the voice spoke one last time:

“Life gave you a name, a job, and memories.
Death takes them back.
What remains is only you—without roles, without fear, without hurry.”

He felt himself becoming lighter, like a flame without a lamp.

“Your life was the waiting room,” the voice added.
“The journey begins when you drop the baggage you carried for years.”

Saxena dissolved gently into the glow—
not as an IT honcho,
not as a founder chasing investors,
but as a small spark rejoining a limitless light.

The Terminal of Eternity faded behind him.
The real journey had begun.


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"Asato ma sat gamaya,
Tamaso ma jyotir gamaya,
Mrityor ma amritam gamaya."

Meaning:

- "Asato ma sat gamaya": Lead me from unreal to real (or from darkness to light).
- "Tamaso ma jyotir gamaya": Lead me from darkness to light.
- "Mrityor ma amritam gamaya": Lead me from death to immortality.

This mantra is from the Brihadaranyaka Upanishad and is a prayer for guidance and enlightenment. It's a beautiful expression of the human desire for spiritual growth and self-realization. 🙏


Monday, June 17, 2024

āĻ“āĻĒাāϰ āĻĨেāĻ•ে

āĻĄ্āϰাāχāĻ­াāϰ āĻ—োāĻĒাāϞ āϏāĻŽāϰাāύāύ্āĻĻāĻ•ে āϜাāύাāϞ āϝে āĻĒ্āϰāϤিāĻĻিāύ āϤাāϰ āĻ—াāĻĄ়িāϰ āĻ•াāĻ›ে āĻ—্āϝাāϰেāϜে āϚāĻ• āĻĻিāϝ়ে āϞেāĻ–া āĻāĻ•āϟি āύāϤুāύ āύāĻŽ্āĻŦāϰ āĻĻেāĻ–া āϝাāϝ়।  āĻ•ৌāϤূāĻšāϞী āĻšāϝ়ে āĻ—োāĻĒাāϞāĻ•ে āύāĻŽ্āĻŦāϰāϟি āĻĒুঁāϚāϤে āĻŽাāύা āĻ•āϰāϞেāύ।  āĻ—োāĻĒাāϞ āϞāĻ•্āώ্āϝ āĻ•āϰāϞ āϝে āϏংāĻ–্āϝাāϟি āϏ্āĻŦāϝ়ংāĻ•্āϰিāϝ়āĻ­াāĻŦে āĻĒ্āϰāϤিāϏ্āĻĨাāĻĒিāϤ āĻšāϝ়ে āύāϤুāύ āϏংāĻ–্āϝাāϰ āĻāĻ•āĻ• āϏংāĻ–্āϝা āωāĻĒāϏ্āĻĨিāϤ āĻšāϝ়। āĻ িāĻ• āĻšāϞ āĻāĻ•āϟা āϏিāϏিāϟিāĻ­ি āϞাāĻ—াāύোāϰ āĻĻেāĻ–াāϰ āϜāύ্āϝ āĻ•ে āĻ—াāĻĄ়িāϰ āĻ•াāĻ›ে āφāϏে l āϏিāϏিāϟিāĻ­ি āϤে āĻĻেāĻ–া āĻ—েāϞো āĻ•েāω  āĻ—াāĻĄ়িāϰ āĻ•াāĻ›ে āφāϏāύা, āĻ•িāύ্āϤু āύāĻŽ্āĻŦāϰ āϝāĻĨা āĻ•্āϰোāĻŽ āύিāϝ়āĻŽ āĻŽāϤ āĻ—াāĻĄ়িāϰ āĻ•াāĻ›ে āϞেāĻ–া āĻĨাāĻ•ে,āφāĻ—েāϰ āύāĻŽ্āĻŦāϰ āĻ­্āϝাāύিāĻļ āĻšāϝ়ে āϝাāϝ়।


 ā§§ā§Ļ āϟা āϏংāĻ–্āϝা āĻāĻ•āχ āϏিāĻ•োāϝ়েāύ্āϏ āφāϏāĻ›িāϞ, āĻāϟা āĻŽোāĻŦাāχāϞ āύāĻŽ্āĻŦāϰ āĻšāĻŦে āĻ­েāĻŦে āϏāĻŽāϰাāύāύ্āĻĻ āϏāĻšāĻ•াāϰী āĻŦাāĻŦুāϞাāϞ āĻ•ে āĻŦāϞāϞেāύ āĻŽোāĻŦাāχāϞ āύāĻŽ্āĻŦāϰāϟা āĻ•াāϰ āĻŦাāϰ āĻ•āϰāϤে l


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻŦাāĻŦুāϞাāϞ, āϤুāĻŽি āĻ•ি āĻŽোāĻŦাāχāϞ āύāĻŽ্āĻŦāϰে āĻ•োāύো āϞিāĻĄ āĻĒেāϝ়েāĻ›?


 āĻŦাāĻŦুāϞাāϞ: āύা, āϏ্āϝাāϰ।  āφāĻŽি āĻāϟি āύিāϰ্āĻĻিāώ্āϟ āĻ•াāϰো āĻ•াāĻ›ে āϟ্āϰেāϏ āĻ•āϰāϤে āĻĒাāϰিāύি।  āĻāϟা āĻāĻ•āϟা āĻĄেāĻĄ āĻāύ্āĻĄ l


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻ…āĻĻ্āĻ­ুāϤ।  āφāϰ āϏিāϏিāϟিāĻ­ি āĻĢুāϟেāϜে āĻāĻ–āύো āĻ•িāĻ›ু āĻĻেāĻ–া āϝাāϚ্āĻ›ে āύা?


 āĻŦাāĻŦুāϞাāϞ: āĻ িāĻ• āϏ্āϝাāϰ।  āĻļুāϧু āφāĻĒāύাāϰ āĻ—াāĻĄ়ীāϰ āĻ•াāĻ›েāχ āϞেāĻ–া āĻĨাāĻ•ে āϝেāύ āφāĻĒāύাāϰ āĻĻৃāώ্āϟি āφāĻ•āϰ্āώāύ āĻ•āϰাāϰ āϜāύ্āϝ l


 āφāχāϟি āĻŦিāĻļেāώāϜ্āĻž (āϏৌāĻŽ্āϝ): āĻ•াāĻ•ু, āĻāχ āύāĻŽ্āĻŦāϰ āĻ—ুāϞো āĻšāϝ়āϤ āĻŽোāĻŦাāχāϞ āύāĻŽ্āĻŦāϰ āύাāĻ“ āĻšāϤে āĻĒাāϰে, āĻšāϝ়āϤ āĻ•োāĻĄ!


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻāĻ•āϟা āĻ•োāĻĄ?  āĻāϟা āĻāĻ•āϟা āχāύ্āϟাāϰেāϏ্āϟিং āĻ…্āϝাāĻ™্āĻ—েāϞ, āϏৌāĻŽ্āϝ।  āφāĻŽāϰা āĻ•ি āϧāϰāύেāϰ āĻ•োāĻĄ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ•āĻĨা āĻŦāϞāĻ›ি?


 āϏৌāĻŽ্āϝ: āĻāϟি āĻāĻ•āϟি āϏাāχāĻĢাāϰ āĻĨেāĻ•ে āφāϰāĻ“ āϜāϟিāϞ āϏিāĻ•োāϝ়েāύ্āϏ āĻĒāϰ্āϝāύ্āϤ āϝেāĻ•োāύো āĻ•িāĻ›ু āĻšāϤে āĻĒাāϰে।  āφāĻĒāύি āĻ•ি āϏংāĻ–্āϝা āϰেāĻ•āϰ্āĻĄ āĻ•āϰেāĻ›েāύ?


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻš্āϝাঁ, āĻāĻ–াāύে āϤাāϰা: 3, 7, 1, 4, 9, 2, 8, 0, 6, 5।


 āϏৌāĻŽ্āϝ: āĻšুāĻŽ, āφāĻŽাāĻ•ে āĻāĻ—ুāϞো āύিāϝ়ে āĻ•িāĻ›ু āĻāύাāϞিāϏিāϏ āĻ•āϰāϤে āĻšāĻŦে।  āĻšāϝ়āϤ āĻāĻ•āϟি āĻ—োāĻĒāύ āĻŦাāϰ্āϤা āĻĨাāĻ•āϤে āĻĒাāϰে.


 [āĻ•িāĻ›ু āĻŽিāύিāϟ āĻĒāϰ]


 āϏৌāĻŽ্āϝ: āφāĻŽি āĻŦিāĻ­িāύ্āύ āϏিāĻ•োāϝ়েāύ্āϏ āĻāĻŦং āϏাāχāĻĢাāϰেāϰ āĻŦিāĻĒāϰীāϤে āϏংāĻ–্āϝাāĻ—ুāϞি āĻĒāϰীāĻ•্āώা āĻ•āϰেāĻ›ি, āĻ•িāύ্āϤু āĻ•িāĻ›ু āύিāϰ্āĻĻিāώ্āϟ āφāϏেāύি।  āϝাāχāĻšোāĻ•, āφāĻŽি āϞāĻ•্āώ্āϝ āĻ•āϰেāĻ›ি āϝে āĻāχ āϏংāĻ–্āϝাāĻ—ুāϞি āĻ•োāύ āϏāĻšāϜ āĻ—াāĻŖিāϤিāĻ• āĻĒ্āϝাāϟাāϰ্āύ āĻ…āύুāϏāϰāĻŖ āĻ•āϰে āύা।  āϤাāϰা āĻāϞোāĻŽেāϞো āĻŽāύে āĻšāϝ় āĻ•িāύ্āϤু āĻāĻ•āϟি āĻ­িāύ্āύ āϤাāϤ্āĻĒāϰ্āϝ āĻĨাāĻ•āϤে āĻĒাāϰে.


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻāϟি āϝāĻĻি āĻ—াāĻŖিāϤিāĻ• āĻĒ্āϝাāϟাāϰ্āύ āĻŦা āϏāϰাāϏāϰি āĻ•োāĻĄ āύা āĻšāϝ় āϤāĻŦে āĻāϟি āφāϰ āĻ•ী āĻšāϤে āĻĒাāϰে?


 āϏৌāĻŽ্āϝ: āĻāχ āϏংāĻ–্āϝাāĻ—ুāϞিāϰ āĻāĻ•āϟি āĻĒ্āϰāϤীāĻ•ী āĻŦা āĻ…āĻŦāϏ্āĻĨাāύāĻ—āϤ āĻ…āϰ্āĻĨ āφāĻ›ে āĻ•িāύা āϤা āĻŦিāĻŦেāϚāύা āĻ•āϰা āωāϚিāϤ।  āĻāĻ•āϏাāĻĨে āύেāĻ“āϝ়া āĻšāϞে āĻšāϝ়āϤ  āϤাāϰা āĻ•িāĻ›ু āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻ•āϰে।


 āĻŦাāĻŦুāϞাāϞ: āĻšāϝ়āϤো āĻāĻ—ুāϞো āϏ্āĻĨাāύাāĻ™্āĻ• āĻŦা āĻ•োāύো āĻ•িāĻ›ুāϰ āϰেāĻĢাāϰেāύ্āϏ?


 āϏāĻŽāϰাāύāύ্āĻĻ: āϏ্āĻĨাāύাāĻ™্āĻ•... āĻ…āĻĨāĻŦা āϏāĻŽ্āĻ­āĻŦāϤ āϤাāϰা āĻāĻ•āϟি āĻ•ীāĻĒ্āϝাāĻĄেāϰ āĻ…āĻ•্āώāϰেāϰ āϏাāĻĨে āϏāĻ™্āĻ—āϤিāĻĒূāϰ্āĻŖ āĻšāϤে āĻĒাāϰে। āĻāϏো āĻĻেāĻ–ি... āĻāĻ•āϟি āϏাāϧাāϰāĻŖ āĻŽোāĻŦাāχāϞ āĻ•ীāĻĒ্āϝাāĻĄে, 3āϟি 'D' āĻāϰ āϏাāĻĨে, 7 āĻāϰ āϏাāĻĨে 'P', 1 āĻāϰ āϏাāĻĨে āύো āĻ…āĻ•্āώāϰ, 4 āĻāϰ āϏাāĻĨে 'G', 9 āĻāϰ āϏাāĻĨে 'W', 2 āĻāϰ āϏাāĻĨে 'A', 8 āĻāϰ āϏাāĻĨে 'T'।  , āĻāĻ•āϟি āϏ্āĻĨাāύ āĻĨেāĻ•ে 0, 'M' āĻĨেāĻ•ে 6, āĻāĻŦং 'J' āĻĨেāĻ•ে 5।


 āϏৌāĻŽ্āϝ: āĻāϟা āϚেāĻ• āĻ•āϰাāϰ āĻŽāϤো।  āĻāϰ āĻĄিāĻ•োāĻĄ āĻ•āϰা āϝাāĻ•।


 [āĻĄিāĻ•োāĻĄ āĻ•āϰাāϰ āĻĒāϰে]


 āϏāĻŽāϰাāύāύ্āĻĻ: D-P- -G-W-A-T- -M-J.  āĻāϟি āĻāĻ–āύāĻ“ āĻ…āϰ্āĻĨāĻĒূāϰ্āĻŖ āĻšāϝ় āύা।  āĻāϟি āĻāĻ•āϟি āύাāĻŽ āĻŦা āφāĻĻ্āϝāĻ•্āώāϰ āĻšāϤে āĻĒাāϰে?


 āĻŦাāĻŦুāϞাāϞ: āϏ্āϝাāϰ, āφāĻŽāϰা āϝāĻĻি āĻāχ āĻŦিāώāϝ়ে āĻ…āϤিāϰিāĻ•্āϤ āϚিāύ্āϤা āĻ•āϰি?  āϝāĻĻি āϏংāĻ–্āϝাāĻ—ুāϞি āĻāĻ•āϟি āϏāĻšāϜ āϏূāϤ্āϰ āĻšāϝ়, āϝেāĻŽāύ āĻāĻ•āϟি āĻ িāĻ•াāύা āĻŦা āĻāĻ•āϟি āĻļāύাāĻ•্āϤāĻ•াāϰী?


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻāϟা āϏāĻŽ্āĻ­āĻŦ। āĻāϏো āϏ্āĻĨাāύীāϝ় āĻļāύাāĻ•্āϤāĻ•াāϰী, āĻšāϤে āĻĒাāϰে āĻĒোāϏ্āϟাāϞ āĻ•োāĻĄ āĻŦা āϞ্āϝাāύ্āĻĄāĻŽাāϰ্āĻ•েāϰ āϏাāĻĨে āĻāχ āύāĻŽ্āĻŦāϰāĻ—ুāϞি āĻ•্āϰāϏ-āϚেāĻ• āĻ•āϰি।


 āϏৌāĻŽ্āϝ: āφāĻŽি āĻāϟা āϚেāĻ• āĻ•āϰāĻŦ।  āφāĻŽাāĻ•ে āĻāĻ•āϟু āϏāĻŽāϝ় āĻĻিāύ.


 [āĻāĻ•āϟি āϏংāĻ•্āώিāĻĒ্āϤ āĻ…āύুāϏāύ্āϧাāύেāϰ āĻĒāϰ]


 āϏৌāĻŽ্āϝ: āφāĻŽি āĻ•িāĻ›ু āĻ–ুঁāϜে āĻĒেāϝ়েāĻ›ি।  āĻ•াāĻ›াāĻ•াāĻ›ি āĻāϞাāĻ•াāϝ় āĻļāύাāĻ•্āϤāĻ•াāϰী 37149 āϏāĻš āĻāĻ•āϟি āĻĒুāϰাāύো āĻŦিāϞ্āĻĄিং āφāĻ›ে āĻāĻŦং āĻāϟি āĻāĻ•āϟি āĻ•āĻŽিāωāύিāϟি āϏেāύ্āϟাāϰ āĻ›িāϞ।  āĻšāϝ়āϤো āĻāϟা āĻ•িāĻ›ু āϏংāϝোāĻ— āφāĻ›ে?


 āϏāĻŽāϰাāύāύ্āĻĻ: āϚāϞো āĻāχ āϜাāϝ়āĻ—াāϟা āϤāĻĻāύ্āϤ āĻ•āϰি।


 [āϤাāϰা āĻĒুāϰাāύো āĻ­āĻŦāύ āĻĒāϰিāĻĻāϰ্āĻļāύ āĻ•āϰে]


 āĻ­āĻŦāύেāϰ āϤāϤ্āϤ্āĻŦাāĻŦāϧাāϝ়āĻ•: āĻ“āĻš, āφāĻĒāύি āĻāĻ–াāύে āϏংāĻ–্āϝা āϏāĻŽ্āĻĒāϰ্āĻ•ে?  āφāĻŽāϰা āĻ…āύাāĻĨ āĻāĻŦং āϏāĻŽāϏ্āϝাāĻ—্āϰāϏ্āϤ āĻļিāĻļুāĻĻেāϰ āϜāύ্āϝ āĻāĻ•āϟি āĻĒ্āϰোāĻ—্āϰাāĻŽ āϚাāϞাāϤাāĻŽ।  āĻĒ্āϰāϤিāϟি āϏংāĻ–্āϝা āĻ›িāϞ āĻāĻ•āϟি āĻŦিāĻļেāώ āĻ…āύুāĻ•্āϰāĻŽেāϰ āĻāĻ•āϟি āĻ…ংāĻļ āϝা āĻļিāĻļুāĻĻেāϰ āĻāĻ•āϟি āύিāϰ্āĻĻিāώ্āϟ āĻ•্āϰāĻŽ āĻŽāύে āϰাāĻ–āϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে।  āĻāϟি āĻāĻ•āϟি āĻļিāĻ•্āώাāϰ āĻšাāϤিāϝ়াāϰ।


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻ•িāύ্āϤু āφāĻŽাāϰ āĻ—াāĻĄ়িāϰ āĻ•াāĻ›ে āĻāχ āύāĻŽ্āĻŦāϰāĻ—ুāϞো āĻ•েāύ āϞেāĻ–া āĻšāĻŦে?


 āϤāϤ্āϤ্āĻŦাāĻŦāϧাāϝ়āĻ•: āĻāϟা āĻ…āĻĻ্āĻ­ুāϤ।  āĻāĻ–াāύে āφāϰ āĻ•েāω āφāϏে āύা।  āϝাāχāĻšোāĻ•, āφāĻŽাāĻĻেāϰ āϰāĻŦি āύাāĻŽে āĻāĻ•āϜāύ āϏ্āĻŦেāϚ্āĻ›াāϏেāĻŦāĻ• āĻ›িāϞ āϝে āϏāĻŽ্āĻĒ্āϰāϤি āĻŽাāϰা āĻ—েāĻ›ে।  āϏে āĻāχ āϏিāĻ•োāϝ়েāύ্āϏেāϰ āϏাāĻĨে āĻ–ুāĻŦ āϏংāϝুāĻ•্āϤ āĻ›িāϞেāύ।


 āϏāĻŽāϰাāύāύ্āĻĻ: āϰāĻŦিāϰ āφāϤ্āĻŽা āĻ•ি āφāĻŽাāĻĻেāϰ āϏাāĻĨে āϝোāĻ—াāϝোāĻ— āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›ে?


 āϤāϤ্āϤ্āĻŦাāĻŦāϧাāϝ়āĻ•: āϏāĻŽ্āĻ­āĻŦāϤ।  āϰāĻŦি āĻ…āύ্āϝāĻĻেāϰ āϏাāĻšাāϝ্āϝ āĻ•āϰাāϰ āϜāύ্āϝ āĻ–ুāĻŦ āωāϤ্āϏাāĻšী āĻ›িāϞ।  āĻšāϝ়āϤো āϤাāϰ āφāϤ্āĻŽা āĻāχ āύāĻŽ্āĻŦāϰāĻ—ুāϞিāϰ āĻŽাāϧ্āϝāĻŽে āϏাāĻšাāϝ্āϝেāϰ āϜāύ্āϝ āĻĒৌঁāĻ›াāύোāϰ āĻŦা āĻāĻ•āϟি āĻŦাāϰ্āϤা āĻĒাāĻ াāύোāϰ āϚেāώ্āϟা āĻ•āϰāĻ›ে।


 āϏৌāĻŽ্āϝ: āϰāĻŦি āϝāĻĻি āϝোāĻ—াāϝোāĻ— āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰে, āĻšāϝ়āϤ āϏে āϚাāϝ় āφāĻŽāϰা āϤাāϰ āĻ•াāϜ āϚাāϞিāϝ়ে āϝাāχ āĻŦা āĻ…āϏāĻŽাāĻĒ্āϤ āĻ•িāĻ›ু āϏāĻŽাāϧাāύ āĻ•āϰি। āĻšāϝ়āϤ āϏে āφāĻŽাāϰ āĻŽāϤ āφāϰো āĻ…āύেāĻ•েāϰ āĻ—াāĻĄ়ীāϰ āĻ•াāĻ›ে āύāĻŽ্āĻŦāϰ āϞিāĻ–āĻ›ে, āĻ•িāύ্āϤু āφāĻŽāϰাāχ āĻāϟা āĻ•ে āϏিāϰিāϝ়াāϏāϞি āύিāϝ়েāĻ›ি l


 āϏāĻŽāϰাāύāύ্āĻĻ: āϚāϞো āĻāĻ–াāύে āϰāĻŦিāϰ āĻ•াāϜ āĻĻেāĻ–ি āĻāĻŦং āĻĻেāĻ–ি āĻ•োāύ āĻ…āϏāĻŽাāĻĒ্āϤ āĻŦিāώāϝ় āφāĻ›ে āĻ•িāύা।


 [āĻĒুāϰোāĻĒুāϰি āϤāĻĻāύ্āϤেāϰ āĻĒāϰে, āϤাāϰা āϰāĻŦিāϰ āĻĒুāϰাāύো āύোāϟāĻ—ুāϞি āĻ–ুঁāϜে āĻĒাāϝ় āĻāĻŦং āĻŦুāĻāϤে āĻĒাāϰে āϝে āϏে āĻ…āύাāĻĨ āĻĻেāϰ āϜāύ্āϝ āĻāĻ•āϟি āĻŦৃāϤ্āϤি āϤāĻšāĻŦিāϞ āĻ—āĻ āύ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›িāϞ।]


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻāϟাāχ āĻšāĻŦে।  āϏে āϤāĻšāĻŦিāϞ āϏ্āĻĨাāĻĒāύ āĻļেāώ āĻ•āϰāϤে āĻĒাāϰেāύāύি, āĻāĻŦং āϏে āĻāϟি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ•āϰাāϰ āϜāύ্āϝ āφāĻŽাāĻĻেāϰ āĻŽāύোāϝোāĻ— āφāĻ•āϰ্āώāĻŖ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›ে।


 āϏৌāĻŽ্āϝ: āĻāχ āϤāĻšāĻŦিāϞ āĻ—āĻ āύ āĻ•āϰে āϤাāϰ āϏ্āĻŽৃāϤিāĻ•ে āϏāĻŽ্āĻŽাāύ āϜাāύাāύো āωāϚিāϤ।


 [āϤাāϰা āϰāĻŦিāϰ āύাāĻŽে āĻŦৃāϤ্āϤি āϤāĻšāĻŦিāϞ āĻĒ্āϰāϤিāώ্āĻ া āĻ•āϰে, āĻāĻŦং āϰāĻšāϏ্āϝāĻŽāϝ় āύāĻŽ্āĻŦāϰāĻ—ুāϞি āϏāĻŽāϰাāύāύ্āĻĻেāϰ āĻ—াāĻĄ়িāϰ āĻ•াāĻ›ে āωāĻĒāϏ্āĻĨিāϤ āĻšāĻ“āϝ়া āĻŦāύ্āϧ āĻ•āϰে āĻĻেāϝ়।]


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻŽāύে āĻšāϚ্āĻ›ে āφāĻŽāϰা āϰāĻšāϏ্āϝেāϰ āϏāĻŽাāϧাāύ āĻ•āϰেāĻ›ি।  āĻ•āĻ–āύāĻ“ āĻ•āĻ–āύāĻ“, āĻāĻŽāύāĻ•ি āĻŦাāχāϰে āĻĨেāĻ•ে, āĻ­াāϞ āφāϤ্āĻŽা āϤাāĻĻেāϰ āĻĻāϝ়াāϰ āĻ…āϏāĻŽাāĻĒ্āϤ āĻŦ্āϝāĻŦāϏা āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻšāϝ়েāĻ›ে āϤা āύিāĻļ্āϚিāϤ āĻ•āϰাāϰ āϜāύ্āϝ āĻĒৌঁāĻ›াāύোāϰ āϚেāώ্āϟা āĻ•āϰে।


 āĻŦাāĻŦুāϞাāϞ: āĻāϟা āφāĻļ্āϚāϰ্āϝāϜāύāĻ• āϝে āĻ•ীāĻ­াāĻŦে āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āϏāĻŦāĻ•িāĻ›ু āĻŦোāĻা āĻ—েāϞ।  āϰāĻŦিāϰ āφāϤ্āĻŽা āĻāĻ–āύ āĻļাāύ্āϤিāϤে āĻŦিāĻļ্āϰাāĻŽ āύিāϤে āĻĒাāϰে।


 āϏāĻŽāϰাāύāύ্āĻĻ: āĻš্āϝাঁ, āĻāĻŦং āφāĻŽāϰা āĻļিāĻ–েāĻ›ি āϝে āĻ•āĻ–āύāĻ“ āĻ•āĻ–āύāĻ“ āωāϤ্āϤāϰāĻ—ুāϞি āφāĻŽāϰা āϝা āĻ­াāĻŦি āϤাāϰ āĻĨেāĻ•েāĻ“ āĻŦাāĻĄ়িāϰ āĻ•াāĻ›াāĻ•াāĻ›ি āĻĨাāĻ•ে, āϝাāϰ āĻŽূāϞে āϰāϝ়েāĻ›ে āϏāĻšāϜ āϏāϰāϞ āĻĻāϝ়া āĻāĻŦং āĻ…āϏāĻŽাāĻĒ্āϤ āϏ্āĻŦāĻĒ্āύ।