Showing posts with label west bengal. Show all posts
Showing posts with label west bengal. Show all posts

Friday, May 22, 2026

When Even Playing Tennis Looked “Revolutionary”

When Even Playing Tennis Looked “Revolutionary”
It must have been around 1971, when the Naxalite movement was at its peak and Bengal—and much of eastern India—was passing through one of its most turbulent phases. At that time, I was posted at the Barauni Refinery of Indian Oil Corporation.

The atmosphere was such that every educated Bengali male with spectacles, a jhola, and a serious face was automatically suspected to be a Naxalite. Bihar Police, it was rumoured, even had a “special interest” in Bengalis. Some people joked that if you quoted Tagore correctly, suspicion increased further.

One day, our CPI union leader, Rameshwar Prasad, came to me with a mysterious expression and said in a hushed tone,
“Roy saab, police sleuths are following you.”

I burst out laughing.

“Poor fellows,” I replied. “They must be terribly disappointed.”

He looked puzzled.

I explained, “Every evening after office I go to Officers’ Club, play tennis, then badminton, eat dinner at the guest house, and sleep. If they are expecting secret revolutionary meetings, they are wasting government resources.”

Frankly, I almost felt sorry for the intelligence department. Imagine tailing a suspect whose biggest conspiracy was whether to play singles or doubles badminton.

But the situation outside was no joke.

There was a dacoity in a zamindar’s house in Begusarai, and in the usual style of those times, some of our Bengali trade apprentices were promptly picked up and branded as Naxalites. In those days, if a Bengali youth carried a book instead of a lathi, police suspicion became even stronger.

I knew those boys. They were more frightened of workshop supervisors than of the Indian state.

So I took help from my friend K. K. Verma, whose uncle was a police officer, and somehow managed to get the boys released. In those days, personal credibility and contacts often worked faster than formal systems.

Around the same period, I had to visit Calcutta for finalising the starting relay CMM-4 with English Electric for our high-voltage coke-cutting motor. I was staying at the IOC guest house on Syed Amir Ali Avenue. Being a bachelor then, life was fairly uncomplicated—except that Bengal itself had become highly complicated.

My late brother-in-law, Ranjit Mukherjee, was a hardcore CPM supporter. Those were violent political days. Congress toughs and plainclothes policemen allegedly harassed many Left supporters. Ranjit had his own house in Dhakuria, but because of constant trouble he shifted quietly to Santragachi in a rented flat, almost like a political refugee within his own state.

One evening after work, I went to visit my sister there. Since we were meeting after a long gap, my brother-in-law became enthusiastic about arranging a “special dinner.” Bengalis can postpone revolution, but not elaborate dinners.

Naturally, dinner became late.

By then everyone in the house looked worried.

“You are not going back tonight,” they declared.

“Why?” I asked.

My brother-in-law replied dramatically,
“At this hour police may shoot first and identify later. You look exactly like an intellectual Bengali.”

I protested that I at least needed to inform the IOC guest house.

So he took me to the nearest thana.

But just before entering, he stopped.

“You go inside alone,” he whispered. “I won’t accompany you.”

“Why?”

“I am staying incognito.”

That sentence itself sounded sufficiently revolutionary.

So there I was—walking alone into a police station at night during the peak of the Naxalite era.

I showed my Indian Oil ID card and explained my predicament to the officer in charge. Fortunately, he turned out to be a practical and accommodating man. The moment he realised I was a PSU officer stranded between bureaucracy and Bengali family hospitality, his entire attitude softened.

He allowed me to use the phone and even advised me to stay back safely.

Thus ended my brief “underground political career.”

Next morning, I quietly returned to the IOC guest house—alive, well-fed, and still non-revolutionary.

Why am I writing this today?

Because I feel that period marked the beginning of Bengal’s long institutional decline. Many brilliant young students got swept into the Naxalite movement. Some were idealists, some romantic rebels, and some simply angry young men searching for meaning. Tragically, many were mercilessly killed in police action. Siddhartha Shankar Ray earned the harsh title of “Butcher of Bengal” from his critics because of the severity of the crackdown.

Later, he was sent by Indira Gandhi to deal with the Khalistani situation in Punjab. The template had already been created—politics, policing, fear, and force becoming intertwined.

Somewhere during those years, police gradually began getting perceived not as neutral protectors of law, but as extensions of ruling political power. Successive governments merely changed the colour of the flag; the system largely remained the same.

Today, while speaking to an ADG-level officer, I raised this very question.

“Why didn’t IPS officers resist?” I asked.

He smiled helplessly and said,
“The system gives very little scope.”

Then after a pause he added honestly,
“Of course, maybe twenty percent are corrupt.”

I appreciated the candour.

My hope is that with political change in Bengal, policing may gradually return to its original purpose—that the common citizen should see a policeman as someone to approach for help, not someone to avoid out of fear.

A society progresses not merely through flyovers and malls, but when an ordinary citizen can enter a police station without anxiety.

Much like I did that night in Santragachi—armed only with an IOC identity card and the confidence of an innocent badminton player.

Saturday, November 23, 2024

The Echo Table

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The Tropic of Cancer threads its way quietly through Bengal, leaving little trace of its influence on the landscape and people. But in a small village near Bardhaman, tucked just a little off the main road from Farakka to Kolkata, there’s an unassuming roadside tea house with a single table, which locals call "The Echo Table." This spot, untouched by fame or tourism, has recently been the subject of curious whispers and hushed discussions among the patrons.


Samaranand, a traveler from Kolkata, happened upon this tea house on his way back from a project in Farakka. As he sat down at the old wooden table, sipping the chai that the elderly owner brought out, he noticed a man nearby. The stranger, who introduced himself as Sadhan Sen, had a peculiar air about him, like someone waiting for an unusual experience. Sadhan glanced at Samaranand and, noticing his curiosity, offered a story, a legend of sorts, about the "Echo Table."



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The Tale of the Echo Table


According to Sadhan, the table, positioned directly under the line of the Tropic of Cancer, possessed a mysterious aura that revealed itself only under very particular celestial conditions. Every five years, when constellations such as Leo, Virgo, and the Great Bear align in an intricate cosmic pattern, an eerie phenomenon occurs at the table. Anyone sitting there during the summer solstice at the exact hour finds themselves caught in what feels like a standstill of time. They experience flashes of images—a slideshow of ancient scenes, local memories, and historical events, all rolling by in a quiet, ghostly display.


Sadhan explained how he, too, had once been a skeptic. But during the last occurrence, five years ago, he experienced it firsthand. "It was like stepping into a river of memories," he said, "not my own, but of this land, these people." He saw moments from centuries past: bustling markets, ritual gatherings under the same skies, and soldiers marching through the plains during medieval conflicts. "You see history—not as a spectator but as though you are momentarily part of it, a silent observer."



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A Search for Answers


Intrigued and skeptical, Samaranand returned to Kolkata with Sadhan’s story on his mind. He reached out to an old friend, Dr. Priya Chattopadhyay, an astronomer at Jadavpur University, to discuss the phenomenon. Dr. Chattopadhyay, initially skeptical, entertained his questions, sharing insights on constellations and their supposed influence on Earth. She explained how, traditionally, constellations like Virgo and Leo are thought to impact specific geographic locations due to gravitational and magnetic forces, but any such interaction is typically imperceptible.


Yet, she found the legend of the Tropic of Cancer interesting, given its geographic significance. The tropic marks the northernmost latitude where the sun can appear directly overhead. "The line itself has been significant in various cultures for millennia, believed to carry the power to reveal secrets during celestial events," she explained. The idea of alignment every five years was particularly intriguing, as certain patterns between constellations recur over cycles, though modern astronomy often dismisses terrestrial influences beyond gravity.



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The Return to the Echo Table


Eager to unravel the mystery, Samaranand persuaded Dr. Chattopadhyay to accompany him to the tea house during the next predicted alignment. The two arrived well before sunset on the day of the solstice, joining Sadhan, who seemed as anxious as they were.


As they waited, an unusual stillness settled over the surroundings. Birds hushed, and even the light appeared suspended, shimmering like a thin veil over the tea house. Then, as if on cue, Samaranand began to feel a weight in the air around him, a tangible energy that pulsed with each heartbeat. Shadows of the past flickered at the table, faint figures appearing and fading in seconds: traders, musicians, farmers—fragments of life from a bygone era, woven together in a dreamlike sequence.


Dr. Chattopadhyay was silent, watching with scientific curiosity mixed with disbelief. She could hardly explain it but sensed it was real—a phenomenon yet to be studied, where cosmic energies perhaps aligned with the geography and historical imprint of the land. The Tropic of Cancer, combined with the ancient constellations above, seemed to act as a gateway, a momentary bridge between time and memory, accessible only to those seated at the Echo Table during this precise alignment.



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A Phenomenon Left Unexplained


Samaranand left that day with a profound sense of awe and mystery. Dr. Chattopadhyay, now a silent believer, promised to study the location and pattern further, hoping to understand this strange phenomenon. But deep down, Samaranand knew that some things might never be explained—phenomena that lie at the intersection of the cosmic and the earthly, of myth and reality.


Sadhan Sen, however, returned each year to that tea house, ever the seeker, content with the knowledge that history has its guardians, and sometimes, all it takes to witness it is a table in the right place, at the right time, under the stars.



Thursday, March 31, 2022

কমল, ভালপাহাড় ও আমি

কমল, ভালপাহাড় ও আমি আমি একটা কর্পোরেট অনুষ্ঠানে গেয়েছিলাম এই বছর আটেক আগে।কলকাতার এক নামকরা হোটেল এর banquet হল। আমার লেকচার ছিল।সবাই রীতিমত অফিস পোষাকে ছিল শুধু একজন বাদে। আমি একটু অবাক হলাম সাদা দাড়িবালা খদ্দরের পাঞ্জাবি ধুতি আর ঝোলা।দেখে ভাবলাম Mr Rath যিনি organise করেছেন তাঁর কোন ধর্ম গুরু হবেন, যোগা টগা নিয় হয়তো জ্ঞান দেবেন। যথা রীতি প্রোগ্রাম প্রদীপ জ্বালিয়ে শুরু হল। বক্তারা নিজেদের বক্তব্য রাখলেন।আমিও আমার ভাষণ দিলাম, আমি তৈরি ভাষণ দি না, তখনকার পরিস্থিতি অনুযায়ী তখন বানিয়ে ফেলি। শেষে ঐ দাড়িবালা ভদ্রলোক উঠলেন, পরিচয় দেয়া হল ডক্টর কমল চক্রবর্তী ভাল পাহাড় থেকে, উনি একটা স্কুল চালান গরিব বাচ্চাদের জন্য পুরুলিয়া তে। সাদা সাপ্টা ভাষায় বাংলা ইংরেজি হিন্দি ।মিশিয়ে লেকচার। বর্ণনা দিলেন কি ভাবে 200 টা বাচ্চাদের পড়াশুনা খাওয়াদাওয়া ওষুদ পত্তর ইত্যাদি ওনার সংস্থা দিনের পর দিন দিচ্ছে। তাছাড়া এক অনুর্বর জমি যেখানে কোন গাছ ছিল না সেখানে তখন 6 লাখ এর ওপর গাছ লাগিয়েছেন।ভাবা যায় না। আমি অবাক হয় শুনছি। পরে ওনাকে ডেকে আলাপ করলাম। জিগেস করলাম এত সব করার জন্য পয়সা লাগে সেটা কি ভাবে জোগাড় করেন। হেঁসে বললেন ওই আপনাদের মত লোকের সাহায্যে হয় যায়। ঠিক মনে নেই কত টাকা তখন দিয়েছিলাম কিন্তু ওনাকে আমার কার্ড দিয়ে বললাম আমার অফিসে আসুন দেখি একটা কিছু করতে পারি কিনা। ওই খান থেকে আমাদের যাত্রা শুরু হলো। সে বছর 1 লক্ষ টাকা কোম্পানি থেকে দেয়ার বন্দ বস্ত করে দিয়েছিলাম।পরে ওই অংক টা বছরে 2 লক্ষ করা হল, এখন 3 লক্ষ বছরে। তা ছাড়া আরেক কোম্পানি থেকে আটটা শিক্ষকের মাইনে এবং বাচ্চাদের জন্য বই খাতা পেন্সিল ইত্যাদি করে দেয়া হল। কমল যখনই আমার অফিসে আসে তখন আমি কর্পোরেট জগৎ থেকে অন্য জগতে চলে যাই। অফিসে শুভ্রা ওনার সব লেন দেনের কাগজ ঠিক করে দেয়। আমি ইংরেজি তে ছোট গল্প লিখি অনেক দিনের ইচ্ছে ঐগুল অনুবাদ বাংলায় করে বই বার করা। কমল আমার ঐ ইচ্ছাপূরণ করে দেয়। নিজে উদ্যোগ নিয়ে তিন টে বই 2018,2019 এবং 2020র বই মেলা তে প্রকাশ হয়।আমার ইচ্ছে পূরণ ও করে দিল। কমল গত আট বছরে প্রায় আমার অফিসে আসে জমিয়ে আড্ডা হয় না না বিষয় নিয়ে। বই প্রকাশের সময় কমলের সঙ্গে আমার স্ত্রী মাধুরীর আলাপ হয়। বই মেলাতে অভিযান publisher এর সামনে বেশ জমিয়ে আড্ডা। তারপর একটু দূরে আমরা সব কমল, গোপাল, শুভ্রা, মাধুরী চায়ের দোকানে যাওয়া চা আর সিঙ্গাড়া খাওয়া।সে এক অভিজ্ঞতা। মাঝখানে কোভিডের আগে শুভ্রা ভালো পাহাড় ঘুরে এলো কিন্তু আমার যাওয়া হয় উঠলো অনেক পরে।ওর মুখে ওখানকার বিষয় বেশ কিছু জানতে পারলাম এবং ভাবলাম টুক করে ঘুরে আসা যায়। কমল ততক্ষণে 30 লক্ষ গাছ লাগিয়ে ফেলেছে, ঝুড়ি ঝুড়ি এয়ার্ড আর লাইন কর বই মেলা ডিস্ট্রিক্টে ডিস্ট্রিক্টে attend করছে। শুধু ভাবি লোকটা টাটার ভাল চাকরি ছেড়ে দিয়ে ভব ঘুরে চেহারা নিয়ে ওই রকম একটা রুক্ষ জায়গাটা কে গাছ পালা লাগিয়ে চেহারা পাল্টে দিয়েছে!বিয়ে করলনা, জীবনটা অন্যদের জন্য উৎসর্গ করে দিল।আর আমরা শুধু নিজেদের এবং নিজের বন্ধু বান্ধব relative নিয়েই ব্যস্ত, কতটা সময় আমরা দি গরিব দুস্থ দের জন্য। আমরা বেশির ভাগ আপনি বাঁচলে বাপেরনাম প্রিন্সিপলে চলি। আলাপ হবার পর থেকে আমি চেষ্টা করতে লাগলাম যাতে আমি কমলের কাজে আসতে পারি, ওই ওর পাওয়া পুণ্যের কিছুটা যদি পাই এই আরকি। শেষ মেষ 2021 নভেম্বর মাসের শেষ দিকে যাওয়া স্থির হল। আমি,মাধুরী, শুভ্রা আর আমার ড্রাইভার গোপাল। হৈ হৈ করে ইস্পাত চেপে ঘাটশিলা আর তারপর কমল যে গাড়ি পাঠিয়ে দিয়েছিল সেটা চেপে 40 km রাস্তা।লাঞ্চ অব্দি পৌঁছেগেলাম। মনে মনে ভাল পাহাড়ের একটা ছবি এঁকে ছিলাম কিন্তু মিলল না। আসা করিনি ঐ রকম man made ফরেস্ট, সে এক বিশাল ব্যাপার। তারপর compound এ হাঁস মুরগি রাজ হাঁস ব্যস্ত হয়ে ছুটে বেড়াচ্ছে এদিক ওদিক, সম্পূর্ণ স্বাধীনতা।আমরা খাচ্ছি ওরা টেবিল চেয়ারের তলায়।এ যেন জন্তু জানোয়ার সব এক। ওদের জন্য আলাদা করে জল খাবার সব রাখা। আমরা রুমে জিনিস রেখে ফ্রেশ হয়ে খেতে বসলাম।সেকি কমল নিজে আমাদের রুমে চেক ইন করালো আবার দেখছি ওই আমাদের ভাত ডাল তরকারি বেড়ে দিলো।কমল একাই আমাদের দেখা শুনা করে যাচ্ছে হাঁসি মুখে, মাঝে মাঝে ফাজলামিও করছে।এ যেন নিজের বাড়িতে বসে খাওয়া ।মোটা সেদ্দ চালের ভাত, টেল টেলে ডাল আর মাছ সবজি, কিন্তু ঐ পরিবেশে ওটাই সাভাবিক তাই বেশ তৃপ্তি করে খেলাম আমরা সবাই। বিকেলে আর পরের দিন সকাল মানুষের তৌরি জঙ্গল ঘুরে দেখা।শুধু গাছ আর গাছ, কত রকম। কমল নিজে গাছ গুলোর চারা নানা জায়গা থেকে জোগাড় করছে।দিশি বিদেশি সব রকম। শুভ্রা তার একটা লিস্ট বানিয়ে ফেলল। আমরা বেশির ভাগ সময় dinning টেবিলে অথবা canopy র নিচে কমলের সঙ্গে আড্ডা মেরে কাটিয়ে দিলাম।কমল নিজের স্মৃতির ঝুড়ি থেকে নানা রকম সেলেব্রিটি র গল্প,তারপর সুনিল, শীর্ষেন্দুর, সমরেশ মজুমদারের আলাপের গল্প। গল্পে সিনেমা স্টার রাও এসে গেল। অপর্ণা, মিঠুন তাদের গল্প। এদিকে চার ডাক্তার তাদের বাচ্চাদের নিয়ে পৌঁছলো। তারা ঐ গরিব বাচ্চাদের হেলথ চেক up, স্পেশাল লাঞ্চের বন্দোবস্ত করে দিল। মাঝে মাঝে কমলের কাছে ফোন আসে ঘর খালি আছে কিনা গেস্ট হাউসে। এই সব দেখে আর দু দিন থেকে বুঝলাম লেখা পড়া জানা সুস্থ মস্তিষ্কের লোক আজকাল সার্থ ছাড়া কোন মনের মত মানুষ পায় না সুখ দুঃখের গল্প কিংবা কিছু পড়াশুনা নিয়ে গল্প। পলিটিক্স, সিনেমা, ক্রিকেট ছাড়া যে অন্য বিষয় নিয়ে গল্প করা যায় সেটা কমলের সঙ্গে আলাপ হওয়ার পর বুঝতে পারে।কেমন করে দুটো দিন কেটে গেল বুঝতে পারলাম না। ওখানে গিয়ে আরেক কমলকে পেলাম। ওকে আমি মজা করে বলি তোমার কোন রূপটা এখন দেখছি। বুঝলাম ভালোপাহাড় মানে ।গাছ কমল আর ওই বাচ্চারা। এত খ্যাতি পুরস্কার পাওয়া লোকটা ওই রকম সাদা সাপ্টা জীবন জাপন করে,কোন অহংকার নেই, নিজেকে উৎসর্গ করে দিল অন্য দের জন্য।সকাল থেকে চিন্তা 60 টা গরুর খাওয়া, গেস্ট হাউসের লোকদের দেখা শুনা, বাচ্চাদের পড়া শুনো খাওয়া, ওষুধ পত্র, গাছের চর্চা, একেবারে নিঃস্বার্থ ভাবে। তার মধ্যে আবার উপন্যাস, ছোট গল্প, কবিতা লেখা। পুজো সংখ্যার জন্য লেখা, ধারাবাহীক ম্যাগাজিনের জন্য লেখা। আশ্চর্য আছেতো মাত্র 24 ঘন্টা রোজ। তারপর ঘুরে ঘুরে টাকা তোলা ঐ এস্টাব্লিশমেন্ট কে চালিয়ে রাখার জন্য। আমি আমার জীবনে এমন মানুষ দেখিনি এবং শুনিওনি। আমার সেলাম কমল তোমাকে। আমি পাসে আছি।

Monday, July 25, 2016

Dancing with Bauls

Dancing with Bauls



The Bauls are in West Bengal…. in the extreme northeast of India for hundreds of years, perhaps a thousand. They wander the countryside, singing their religious songs. Their beliefs are a mixture of many influences and traditions, such as Hinduism, Sufism and Yoga. They break away from many common Indian beliefs, including the age-old caste system, and the separation of Hindu and Muslim communities.
Baul music is unlike other traditional Indian classical music. In fact, there is nothing quite like this music. There is no sitar or tabla - all of the instruments played are ancient in origin. The songs are simple, and sung with intense emotion. The music is approachable and very enjoyable to listen to. Unlike many forms of Indian classical music, no special knowledge or study is needed to fully understand.
When one goes to Shantiniketan from Kolkata by train one encounters Bauls.They make the journey pleasurable with their song and dance. They sing about contemporary events, modern trends in their own simple rural language.
Those days I was head of Eastern Region of BHEL and used to go by Shantiniketan Express to Bolepur for onward journey to the Bakreswar thermal project which was coming up under WBPDCL then. Once in two months there used to be a major review of the power project by the erstwhile Power minister Dr.Sankar Sen of West Bengal. All of those who were required for the meeting like us from BHEL, officials from WBPDCL, consulting engineers from DCL, Japanese engineers from Fuji, Japanese experts from the consortium leader ITOCHU and the representatives from the funding agency OECF used to travel together by Shantiniketan express AC chair car as that was the only AC compartment in that train. Practically the whole AC chair car compartment on that particular day used to be booked for the project review team.
During one such journey day, the representatives of various companies started trooping in Howrah station to board the Shantiniketan Express for the review meeting. I was there one hour before the departure of the train as that was my style of avoiding failure. We all boarded the train; Dr.Sen boarded the train five minutes before the departure. The train started on schedule, I had a corner seat. I started reading the daily news paper of the day. After about half an hour we were served hot samosa and fresh sweet by our friends from DCL.After about one and half hour or so the train reached Burdwan. Immediately the compartment was filled by various hawkers selling there wares, mostly food stuff. We were served coffee, courtesy DCL.The train started, Prabir of BHEL entered the compartment and searched me out.As usual the Baul singer Karthik Das boarded the train, he started strumming his one string country made guitar known as Ek Tara.
Dr.Sen was fond of Baul song, so every one made way for Karthik Das to go near Dr.Sen.He went near Dr.Sankar Sen.’s seat and started his Baul song. He started with a typical Baul song describing the land of Birbhum from where he hailed. We enjoyed the song. Then he started with a song which talked about Bakreswar power project, BHEL, WBPDCL, OECF and how once that project was made would bring prosperity to the region. The song practically covered all facets of Bakreswar. All were stunned by that song as that song was expressing the mission for which the whole corporate crowd was going to Bakreswar.Every one was nonplussed by that song. They wondered how a half literate country singer can gather such intimate detail information’s and package the same in his Baul song. He got an all round applause.
Dr.Sen called him and asked, “How did you frame this song? How could you get such a lot of details about Bakreswar project?”
Karthik Das ,Baul replied with folded palm,”Sir,we are poor illiterate people but we go round the markets and to various rural gatherings, collect details of the latest happenings and string those to a song. This song is result of such endeavor,” he continued, “sir, did you like the song?”
Dr.Sen replied with a satisfied smile,”Yes, I am very happy as our effort will be known to the common people through your song. I hope you will sing this every day.”
“Yes sir, I will sing this every day,” the Baul replied.
That was a lucky day for Karthik Das as all of us paid him generously.
Before leaving the compartment Karthik bowed at me and I acknowledged the same. He got down at Guskara, the station before Bolepur.The compartment was charged and every one was discussing about the song, they were happy that Bakreswar had become a part of the folk lore. It was an exulting feeling for all.
Prabir came silently to me and said,”Sir, I hope every thing happened to your satisfaction.”
“Yes, thanks for making the event happen. You were late in entering the compartment and my heart stopped beating for a moment but then you entered followed by the Baul and I was relieved.” I said.
Yes, the whole show was stage managed by me. I had advised Prabir to pen a song bringing out the important facts of Bakreswar in simple Bengali language and then put that in a proper Baul musical format. He did that, we caught hold of Karthik and motivated him to sing that song on that particular day for a tidy sum. A day before that Prabir left for Burdwan and got the song rehearsed by Karthik.
After that particular day Karthik knew that if he sang that song in front of us then he would collect more money, so he made it a point to sing that song whenever the corporate crowd for Bakreswar was visible.
All most all the business news papers of West Bengal went ga ga over that Baul song. It was hailed as a novel way of using the local folk singers to advertise the achievement. Some of the local MBA colleges picked up this phenomenon as case study for marketing strategy. Generally advertising agencies are engaged and media is used to highlight the products. Here the folk singers were already available and they were effectively utilized to carry the message to the masses. It is always a cost effective proposition if the existing infrastructure or human resource is gainfully utilized. The Bombay dabbawals move the tiffin carriers through local trains during non rush hours and thus they achieve their goal by utilizing the existing system.
Bakreswar team of BHEL got so much charged up by the success of the song in the train that they got another song written and sponsored Nemai Das Baul for that song. Eventually Nemai Das Baul was proved to be more loyal to BHEL and we adopted him as our very own Baul.Those days no BHEL official function was complete without a Baul song by Nemai Das.