Friday, October 03, 2025

Madame Mirza and the spirits of Muscat


Madame Mirza and the Spirits of Muscat  
It was the last thing I expected at a Durga Puja pandal in Pashchim Vihar,Delhi—a lady in one corner, draped in velvet, doing tarot readings between stalls selling bhog and jalebis. The sight jolted a memory loose, carrying me back to a faraway place: Muscat, Oman.  

Years ago, while working on a project at Hubara, my colleague Sethu—who had a mischievous streak wider than the Gulf itself—had insisted on showing me “a secret of Muscat.” We left the polished highways and malls and wandered into a narrow sunlit lane that smelled of cardamom, diesel, and old paper. Eventually, we arrived at a dimly lit room tucked behind a half-closed wooden door.  

Inside was a world far removed from Muscat’s shining exteriors. The chamber was lit by lanterns and candles, their shadows crawling on shelves stacked with strange objects: strings of beads, old maps, brass bowls, dried herbs. At the center sat a woman with sharp eyes and silver bangles that seemed to jingle in tune with her thoughts.  

The moment I stepped in, she tilted her head and said, “Bengali, right?”  

I froze. “Yes… how did—”  

Before I finished, Sethu gave me a villainous grin. “She knows everything. Next she will predict what you had for breakfast.”  

The woman smirked. “Banana skipped. Aloo paratha too oily.”  

My jaw nearly hit the floor. “WHAT?!”  

Sethu slapped his thigh and burst out laughing. “I told you, my friend—she is *dangerously accurate*.”  

I was trembling between awe and suspicion when Sethu whispered in my ear, “Don’t worry. She’s not actually a psychic. She’s a historian from Dhaka, married to a sheikh. Tarot is her… side hobby.”  

The woman leaned back, amused at my expression. “History, tarot, spirit world—what is the difference? Everything is about interpreting traces of the past.”  

She picked up a crystal ball, squinted into it with mock solemnity, and announced, “Sometimes I help people find lost things—keys, passports, goats…”  

“Goats?” I asked.  

“Yes,” she replied with grave seriousness. “Goats wander, souls wander—it’s the same business.”  

Sethu was shaking with laughter. “Last month she helped old Karim find his missing water pump!”  

The woman held up one finger. “Correction: an old spirit with bad knees told me the pump was behind the chicken coop.”  

I chuckled nervously. “That doesn’t sound like a ghost. That sounds like a nosy neighbor.”  

Her eyes glimmered. “Maybe there’s no difference between the two. Both gossip, both refuse to leave you in peace.”  

That line sent Sethu into such hysterics that tears rolled down his cheeks.  

Trying to compose myself, I leaned forward. “But tell me honestly, Madame Mirza. Do you actually believe in this… spirit communication?”  

She shrugged with the calm of someone ordering tea. “Belief is for priests and politicians. I only provide stories and comfort. Most people don’t want ‘truth.’ Truth is boring. They want mystery—and a little fun.”  

Sethu patted my shoulder, whispering theatrically, “See? She’s not a fortune-teller. She’s a philosopher disguised as a card-dealer.”  

The woman began shuffling her deck, casually flicking cards onto the table. “You, mister. You are a traveler. Not careful enough. You will one day leave your socks in a hotel bathroom. Spirits of lost laundry are vindictive—you will never find their pair.”  

Sethu nearly toppled from his chair clutching his stomach in laughter. I sat stunned, trying not to imagine vengeful poltergeists made of mismatched socks.  

The evening passed in riddles, jokes, half-truths, and laughter. When we finally stepped back into Muscat’s neon-lit streets, I couldn’t decide whether I’d met a scholar, a trickster, or a genuine mystic.  

Years later, watching the tarot reader at the pandal shuffle her glittering cards under Durga’s gaze, I had to smile. For a fleeting moment, I thought I saw Madame Mirza’s twinkling eyes again—half-mocking, half-wise—whispering that history, mystery, and humor are often all the same story.  

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Friday, September 26, 2025

Echoes of Kanishka





The Agra Conspiracy  

A Budha statue of Kushan Era

I had gone  to Delhi from Kolkata for the Pujas when I ran into **Sam Singh**, just back from Agra. He looked restless, full of a story he couldn’t wait to share. Over cups of chai in my flat, he leaned forward and said, almost in a whisper,  

*“You won’t believe what I just saw down there. It started at Meena Bazaar…”*  



Sam Singh’s Account  

Agra’s Meena Bazaar is something else—you feel like every stall is a doorway into another century. Brass lamps polished to perfection, antique wooden toys, Mughal-style miniatures. I’m not really an art man, but I was staring at one shop when I spotted Mr. and Mrs. Schmidt, the German couple staying in my hotel.  

They looked excited. Turned out they were chasing something rare: a *Magadh style* painting influenced by the **Kushan dynasty**. I knew a little about it. The Kushans were a Central Asian people who swept into India around the 1st century CE. At their peak, they ruled from Afghanistan into northern India, even brushing shoulders with the Roman and Chinese worlds. What made them special wasn’t just war—it was what they built. Their empire was a bridge across civilizations, thanks to the Silk Road.  

And their art… ah, that was extraordinary. In Mathura, under their patronage, the Buddha came alive for the first time in human form: broad-shouldered, smiling, robes flowing. Their paintings had clean lines, rich pigments, influenced by both Greek naturalism and Indian spirituality. Later, when the Mughals came, painters in Mathura revived that Kushan-inspired aesthetic, blending it with Persian touches. That was the famous *Magadh school of painting*—and that’s what the Schmidts were after.  

That same day they found one. Bought it for two lakhs from a dealer. But when I saw them that evening at the hotel lounge, they were pale. The painting was gone—stolen from their room.  

We rushed to reception, checked the CCTV. And there he was—the very dealer, walking out of the hotel, painting under his arm. But here’s the twist: how had he gotten inside their locked room? Swipe-card access only.  

That night, I stayed in the lobby. Around midnight, I spotted the hotel IT boy—thin, nervous—picking up a fresh swipe card. I followed. On the phone, I heard him mutter, *“I’m going to the Frenchman’s room… he bought the ashtadhatu Krishna, 14th century. Card’s ready.”*  

And boom—it all fit together. Duplicate cards, inside job. The Schmidts weren’t the only targets.  

I tailed him out into the alleys of Agra. He went straight to a broken-down warehouse by the Yamuna ghat. Inside, waiting for him, was **Salim**, the art dealer. And in Salim’s hands? The stolen Magadh painting.  

I tried to stay hidden, but one wrong step on gravel gave me away. Salim’s scarred face swung toward me. Knife in hand, he lunged. What followed was chaos—I sprinted through alleys full of rickshaws, startled dogs, sacks of turmeric spilling gold dust into the air, with Salim hot on my heels like a hawk.  

At the riverside, I thought I was cornered—but that’s when the police, tipped off earlier by me, swooped in sirens blazing. Officers tackled Salim mid-run, his knife skittering across the stones. The IT boy froze, then broke down crying.  

When the police unrolled the painting, there it was—the calm face of a Bodhisattva, rendered in that ancient Kushan style: simple, powerful lines, meditative eyes, pigments still alive after centuries.  

The racket tumbled quickly. The IT boy confessed to forging cards. The receptionist had been feeding guest details. Salim had been stealing back items he “sold” and passing them off to smugglers. The Frenchman was saved from losing his Krishna idol, and the Schmidts got their painting back.  

Henrietta touched it gently, whispering, *“It feels like time itself survived just to reach us.”*  

And in that moment, my mind went back to the Kushans. To Kanishka, the emperor who built massive stupas, hosted the Buddhist council, and made sure Mathura’s art reached far beyond India. Without them, Buddhism’s imagery might never have traveled across Asia, inspiring caves in Afghanistan, China, even Japan. They were nomads once—but they became patrons of eternal art.  

Funny, isn’t it? Centuries later, I’m there in Agra, chasing thieves through lanes, still trying to protect the same art they once saved. History doesn’t die—it just changes its thieves.  
**


Saturday, September 20, 2025

The Skyline of Ujjain




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🌑 The Skyfire of Ujjain

Chapter One: When Rahu Devoured the Sun

It was the early 6th century CE, in the ancient city of Ujjain, when whispers of the heavens stirred the people. Word had spread through the bazaars that Rahu, the headless demon, would rise that day to devour the sun. Priests in saffron robes sprinkled holy water on the temple steps, urging the people to gather with drums and conch shells.

Among the crowd stood four young companions — Durya, Vihan, Arav, and Saanvi. They had slipped away from their homes, eager not only for the spectacle but also for the whispered promise of something greater: the prediction of Aryananda, the young astronomer of Nalanda.

“Look at them,” Vihan chuckled, nodding toward a group of elders already chanting hymns. “They truly believe Rahu stretches his jaws to swallow the sun.”

Durya frowned. “Our parents believe it too. My mother would not let me eat this morning — she says food becomes poisoned when the demon is out.”

Arav smirked. “If Rahu can eat the sun, why does he spit it out again? Why not swallow it whole and be done?”

Saanvi, her eyes bright, whispered, “Aryananda says it is not Rahu at all, only the moon passing before the sun. He even wrote the time on his palm for me yesterday — he said the darkening will begin just after the temple bell of midday.”

The air grew heavy. Priests raised their voices, urging devotion.

“People of Ujjain! Do not fear the darkness. Strike your drums, beat your vessels! Drive away Rahu with the thunder of your faith.”

The temple bell rang. A hush fell. The first bite of shadow crept across the blazing sun.

“It is happening!” Saanvi gasped. “At the very moment he said!”

The crowd broke into cries, the priests into louder chants. Drums thundered, cymbals clashed. Yet the four friends stood still, watching in awe as day turned to twilight, birds flew confused, and a ring of fire crowned the darkened sun.

Vihan whispered, “This is no demon’s bite. It is a shadow.”

Durya’s voice trembled. “If Aryananda is right, then our parents are wrong. What will they say?”

Saanvi’s gaze never left the sky. “They will say what they wish. But we saw the truth today.”

The eclipse passed. The sun blazed again, and the priests proclaimed triumph:
“Your devotion has defeated Rahu!”

The crowd cheered, but the four exchanged knowing glances. A seed of doubt had been planted.


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Some Years Later

Another eclipse was foretold. Aryananda once again gave his calculation, and once again the heavens obeyed his numbers.

Durya murmured, “It cannot be chance.”
Arav grinned. “Faith alone cannot time the heavens.”
Saanvi whispered, “Truth shines, even when eclipsed.”
And Vihan said softly, “Perhaps one day the people will listen.”

The priests scowled, but the youth of Ujjain were beginning to turn their eyes to the stars with new wonder and quiet courage.


-


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Footnote:
This story is set in the 5th century CE, during the time of Aryabhata (476–550 CE), one of India’s greatest mathematician-astronomers. While the characters are fictional, it is likely Aryabhata faced both reverence and resistance for his rational postulations, which often contradicted prevailing mythological beliefs. His key contributions include:

Heliocentric hints: Proposed that the Earth rotates on its axis, causing day and night.

Eclipses explained: Stated that lunar and solar eclipses occur due to the shadows of Earth and Moon, not mythological demons like Rahu and Ketu.

Pi (Ī€): Calculated Ī€ ≈ 3.1416 with remarkable accuracy.

Algebra & trigonometry: Introduced concepts of sine (jya) and cosine (kojya), used in astronomy.

Zero & place value: Advanced the Indian number system that became the foundation of modern mathematics.

Planetary models: Gave methods to predict planetary positions with surprising precision for his time.



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Saturday, September 13, 2025

Sidhu, the Bengali Robot




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Sidhu, the Bengali Jules

The chicken cutlet at DKS was hot, crisp, and so mustardy that my nose felt like Netaji had just marched through it. That’s when Samaranand dragged in a young man whose hair looked like it had permanently taken part in a College Street rally.

“Meet Dr. Bhaumik,” he announced proudly, “professor of Robotics at Jadavpur.”

“Robotics? In Jadavpur?” I almost choked. “I thought you people only produced poets and protest marches. Now robots too?”

Bhaumik smiled, his hair still rioting.
“Sir, we’ve made a robot that can blink, smile, and nod when you talk.”

“Wah!” I clapped. “So, basically, you’ve invented the perfect Bengali husband.”


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The Bengali Frankenstein Lab

Between watery coffee and Samaranand’s smug face, I learned the truth. They had stitched together man-sized robots:

Plastic skin from a doll-maker in Howrah,

Amazon-ordered motors (free delivery, mind you),

Coimbatore micro-engineering,

Korean lithium-ion cells (because Indian batteries faint after two torchlight sessions).


“They even look human,” Bhaumik said proudly. “We wrapped the machinery inside mannequins.”

“Next you’ll tell me they complain about fish prices in Gariahat,” I muttered.


---

Enter Talukdar and Sidhu

Their prototype was gifted to lonely Talukdar, a widower with a son in America who believed that one WhatsApp call a month was enough to prove devotion.

At first, Talukdar treated Sidhu—that’s what he named the robot—like a toy car, driving it around with a remote. But slowly, Sidhu became a companion.

Mornings, Talukdar would dress him in shorts and T-shirt.
“Exercise korte hobe, Sidhu. Health is wealth,” he declared, patting his metal shoulder.

By evening, Sidhu wore a kurta.
“Adda without kurta is like macher jhol without mustard.”

At night, Talukdar lovingly put him in a sleeping dress and placed him beside the bed. If he woke up at 2 a.m., he would whisper:
“Sidhu, ekhono ache to?”

Sidhu’s eyelids blinked twice. Comforted, Talukdar drifted back to sleep.

The bond grew. Sidhu didn’t just listen, he looked present—a silent, smiling shadow in Talukdar’s house. One day, Talukdar even offered him luchi at the dining table. By some mechanical twitch, Sidhu raised a guava to his mouth.

“Dekho, he’s eating!” Talukdar shouted proudly.


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Banerjee Joins the Club

Banerjee, Talukdar’s friend, had a wife whose daily quarrels could defeat Arnab Goswami in a shouting match. When he discovered Sidhu, his jaw dropped.

“Sidhu, bol to, am I wrong, or is my wife a hurricane in a sari?”

Sidhu blinked. Nodded.

Banerjee gasped. “You understand me better than anyone!”

From then on, he visited morning and evening, pouring his heart out. Sidhu blinked, Sidhu nodded—marriage counseling without fees.

The housing society buzzed.
“Talukdar aar Banerjee ekdom alokito hoye gache! Is it yoga? Baba from Burdwan? Or foreign multivitamin?”

Nobody guessed it was a plastic-faced robot in a lungi.


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Samaranand’s Triumph

Meanwhile, Samaranand strutted like a Bengali Edison.
“See? Loneliness cured! Jules had an alien, Bengal has Sidhu.”

Dr. Bhaumik nodded, hair still defying gravity. “Robotics with Rabindrasangeet touch.”

Then they turned to me.
“Royda, apni-o ekta nebey?”

I laughed so hard my tea spilled.
“Are you mad? I already have Sikka, Jaggi, Paul to talk nonsense with. If I bring Sidhu home, my wife will say—‘Good, now sell your friends and buy another robot.’ Then what will happen to our adda? Robots can nod, but can they argue Mohun Bagan vs East Bengal?”


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The Afterthought

That night, though, I couldn’t help thinking. If Sidhu had existed when my father was alive, he would’ve loved it—someone to listen for hours, nodding, blinking, smiling, never contradicting.

Maybe loneliness doesn’t always need aliens like in Ben Kingsley’s Jules. Sometimes all it takes is a plastic-faced listener in a kurta who blinks on time.

And in Bengal, that’s rarer than hilsa in December.


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Friday, September 05, 2025

Ghosts by the Hoogly :A Widows Rebellion




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Ghosts by the Hooghly: A Widow’s Rebellion

In the dim glow of oil lamps and the faint moonlight filtering through the banyan trees of 19th-century Bengal, when electricity was but a distant dream and villages slumbered under the weight of ancient customs, winds of change whispered faintly. It was the age of Ishwar Chandra Vidyasagar, the tireless reformer of Bengal, who dared to challenge the ironclad traditions that bound society.

With scholarly fervor, he pored over scriptures in his modest home, presenting arguments before courts and progressive thinkers.
“These young girls,” he declared, “widowed before they even knew womanhood, deserve life, not exile.”

Yet the orthodox ridiculed him mercilessly. Whispers in bazaars called him mad, pamphlets caricatured him as a destroyer of dharma. Before him, Raja Rammohan Roy had slain the demon of Sati, but Vidyasagar’s war—against child marriage, enforced widowhood, and the rampant polygamy of lecherous old men across castes—was an even steeper hill.

Old men, swollen with wealth and lust, traveled village to village in search of brides barely ten or eleven. Families, crippled by poverty, surrendered their daughters for dowry’s cruel exchange. And when these aged husbands perished, the child-brides were cast out—shorn of hair, draped in white, condemned to lifelong mourning in ashrams or the ghats of Kashi.


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The Secret Sisterhood

Far from Calcutta’s courts, on the banks of the Hooghly, rebellion brewed among these forsaken souls. A band of young widows—Sita, Lakshmi, Radha, and others, none above twenty—met in secret at the village pond during ritual baths. Their whispers were carried on the ripples of water.

“No more,” hissed Sita, her eyes burning beneath her veil. “These old vultures feast on our lives. Let them taste fear.”

Their sympathetic brothers—silent allies ashamed of society’s cruelties—hid nearby, ready with sticks and courage. While Vidyasagar waged his battle with pen and petition, here, in the shadows, justice would take a ghostly form.


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The Haunted Path

One sultry evening, as dusk bled into night, Hari Babu, a notorious old groom of sixty-five, trudged toward a poor farmer’s home. His belly jiggled, his teeth were red with paan, and his thoughts gleamed with greed: gold bangles, a corner of land, another trembling child-bride.

But the path wound past the misty village pond. And from its reeds emerged figures in tattered white saris, their faces smeared with ash, hair wild and unbound.

“Harrrriiii…” they wailed, voices hollow as the wind. “You left us to rot… we have returned!”

Hari froze. His mind reeled—ghosts! Ghosts of the young wives he had taken, abandoned, buried in shame.

Lakshmi, drenched in pond water, stretched her arms like a spirit risen from death. The others swayed and shrieked, their howls mixing grief with laughter.

Hari shrieked, dropping his betel pouch. “The widows! My brides returned from the pyres!” He bolted, stumbling through mud, his dhoti unraveling as he howled for help.

From the bushes, the brothers leapt, striking harmless blows with reeds to deepen his terror. Sita’s voice rose above the chaos:
“Begone, you leech! No child will bear your chain again!”

Hari, humiliated and terrified, tumbled into a ditch, scrambled out filthy and trembling, and fled the village, swearing never to return.

By dawn, word spread that the pond was haunted by widows’ spirits. Superstition became a shield, and the predatory elders kept away.


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The Greater Battle

While in villages, laughter cloaked as haunting chased away predators, Vidyasagar’s real war raged on. He endured ridicule, slander, and threats, but his resolve did not waver.

Finally, in 1856, his relentless advocacy bore fruit:
The Hindu Widows’ Remarriage Act was passed—granting widows the right to remarry, to reclaim dignity and life.

In that moment, the voices of countless widows, whether wailing at ponds or sighing in ashrams, found a champion.


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Epilogue

By the Hooghly, the widows’ secret sisterhood dissolved back into the rhythm of village life. But sometimes, late at night, travelers swore they still heard laughter—half grief, half triumph—echoing over the misty pond.

And in Calcutta, Vidyasagar, “the ocean of compassion,” pressed forward, knowing each battle won was only the beginning.


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Wednesday, August 27, 2025

The Utopian Case of Tudu Hembram



Rethinking Talent Retention: The Utopian Case of Tudu Hembram

In the remote district of Purulia, among the Santhal tribe, I once met a boy named Tudu Hembram. I was introduced to him at Bhalopahar by the late philanthropist Kamal Chakraborty. At that time, he had just finished school and was repairing computers at a local shop. Yet, it was clear his mind was sharper than the hardware he worked on—his interest lay in the abstract beauty of software and mathematics.

Tudu had submitted some of his calculations online, and his ingenuity soon attracted the attention of a Bangalore startup. That is where his story takes an unusual turn, and one that made me reflect deeply.

Unlike most young professionals who chase salaries, savings, and possessions, Tudu followed a different model of existence. He did not draw a salary in the conventional sense. Instead, the company ensured that his family in Purulia was looked after—sending them monthly expenses and arranging medical support whenever needed. His personal requirements—whether food, clothing, or toiletries—were fulfilled through a custom app designed just for him, where he could simply click for his needs. He lived in a modest studio apartment equipped with cutting-edge computers, free from financial anxieties, with his only wealth being his knowledge.

This freedom allowed Tudu to focus entirely on his passion: finding economic ways to use AI. While most engineers are busy advancing AI systems, his goal was to democratize technology, creating simple solutions for small businesses—chatbots for individuals, smart tools for shopkeepers, and even the dream of one day bringing his own village “into the cloud” when satellite internet becomes universally available.

Despite his ascetic lifestyle, Tudu maintained a balance between mind and body, running 10 kilometers each morning to keep fit. His was a life of discipline, simplicity, and purpose.

History reminds us that this is not a new idea. Emperor Akbar maintained his famed Navaratnas—nine jewels of talent—at state expense, among them the legendary Tansen, whose music still echoes through centuries, and Birbal, whose wit and wisdom guided the emperor. Across civilizations, rulers understood that genius blooms only when freed from material burdens.

In ancient Greece, Plato’s Academy and later Aristotle’s Lyceum were supported by patrons who ensured philosophers could devote themselves to thought rather than livelihood. In Renaissance Italy, the Medici family sustained a galaxy of talents—Leonardo da Vinci, Michelangelo, Galileo—by providing them with security, resources, and freedom from financial anxieties. Their patronage birthed some of humanity’s greatest art, science, and philosophy.

The modern world, however, runs on different aspirations. The symbols of success today are big cars, larger houses, and foreign holidays. For a talented individual, the temptation to trade passion for possessions is ever-present. This eternal conflict between the needs of the body and the aspirations of the mind has never disappeared. To resist worldly goods and stick to one’s calling requires unusual inner strength—and equally unusual external support.

What struck me most in Tudu’s case was the company’s unconventional way of retaining him. By removing the burden of salary negotiations, financial planning, and family obligations, they gave him what every true thinker craves—freedom from worry. Many bright minds abandon high-pressure jobs to care for families or escape stress. This model seemed to offer a new path: one where the company assumes responsibility for life’s necessities, while the individual devotes himself fully to creation and problem-solving.

It reminded me of Japan, where young people increasingly choose a solitary lifestyle, avoiding the noise of society, yet deliver extraordinary results in their fields. Tudu’s life felt like an Indian echo of that philosophy: minimalism, focus, and brilliance.

The question that lingers is profound: Could this be the future of work? Instead of higher paychecks and perks, perhaps the real key to nurturing genius is designing ecosystems of trust, care, and freedom.


Afterthought: This story is a utopian thought experiment. No such company exists today—but perhaps it is an idea whose time will come.


Friday, August 22, 2025

Building bridges beyond the table : Lessons on Customer Relationship Management



Building Bridges Beyond the Table: Lessons on Customer Relationship Management

Customer relationship is not just about contracts, negotiations, and project deadlines. It is about building trust, respect, and sometimes even friendships that last a lifetime. During my long career in Indian Oil Corporation, BHEL, and later in the private sector with Techno Electric Engineering, I experienced firsthand how cultivating deep personal bonds with customers and stakeholders can help overcome the most complex challenges.

In my view, customer relationships are not built in boardrooms or through formal agreements alone. They are forged on the ground, in moments of crisis, in the willingness to go beyond one’s defined role, and in the shared determination to complete a project despite all odds. When both sides align themselves to the common goal of project completion, they transcend the narrow boundaries of “client” and “contractor” and begin to act as true partners.


Early Lessons – Panipat (Haryana Electricity Board)

My journey with customer relationship at project sites began at the Panipat Thermal Power Station, where Mr. G. P. Sood, the Chief, became like a mentor to me. He openly admitted that his expertise lay in hydropower, not in thermal plants. This honesty created an instant bond of trust. I acted as his technical advisor and took decisions—even flouting certain BHEL restrictions—to ensure the plant ran during Haryana’s acute power shortage. That experience taught me that customer trust grows when you prioritize their problems over rigid rules.


Brotherhood at Singrauli (NTPC)

At Singrauli Superthermal Power Station, I worked with Mr. S. K. Dasgupta, an old colleague from Barauni Refinery. Our shared background as shift-charge engineers of captive power plants created a brotherly bond. Together, NTPC and BHEL worked as a single pool of experts, commissioning five 200 MW units in just two years—a record then. The lesson was clear: when both sides stop drawing boundaries, teamwork achieves extraordinary results.


Empowerment at Wanakbori (GEB)

At Wanakbori Thermal Power Station, I worked under the late Mr. K k Dharangdharia, who valued my frankness in admitting weaknesses. He gave me freedom to plan erection and commissioning. GEB contractors even sought my advice directly. This empowerment led us to synchronize to full load within just 24 hours, a record that brought rewards from GEB. The takeaway: empowerment and mutual respect are the cornerstones of customer confidence.


Friendship at Vizag Steel Plant

At Vizag Steel Plant, Mr. P. K. Chakraborty, Chief Engineer, became a family friend. We worked shoulder to shoulder during crises, and his support was always strengthened by Mr. B. N. Rath, CMD, who stood by us. Beyond the workplace, badminton became a bridge—Mr. Rath, a passionate player, would often come to my flat to pick me up, and we would proceed together to the CISF court. His closeness with me helped smoothen many inter-departmental issues. This reminded me that personal friendship often paves the way for professional harmony.


Memories from Indian Oil Days

This bond through sport reminded me of my Indian Oil days, when Mr. G. S. Harnal, DGM at Gauhati, would pick me up for badminton while I was still a trainee. Later in Barauni, our sporting bond gave me visibility and acceptance in the refinery community. A small reminder that shared passions outside the workplace create lasting professional goodwill.


Farakka Superthermal (NTPC) – Overcoming Trade Union Challenges

My last site posting was at Farakka Superthermal Power Station (1991–1994), where Mr. G. S. Sohal, GM NTPC, was already a close friend from our Singrauli days. Bengal was turbulent then—frequent bandhs and aggressive trade unionism tested progress. But our coordination and trust enabled us to commission 2×500 MW successfully. The experience reinforced that personal bonds act as shock absorbers in volatile environments.


ER HQ and Kathalgudi (NEEPCO)

Later, at BHEL Eastern Region HQ, my association with Mr. P K Kataki, Chairman of NEEPCO, proved invaluable. He was an IIT Kharagpur alumnus, like me, which gave us an instant connection. With his assurance, we tackled the Kathalgudi combined cycle project despite the looming ULFA menace. His back-channel talks even convinced insurgents that the project would ease Assam’s power woes. This was an extraordinary example of how leaders use trust and credibility to create security for execution teams.


Beyond Retirement – Suzlon Experience

After retirement, I applied the same principle while working with Techno Electric Engineering. With Mr. P. P. Gupta the owner and Chairman of TEECL, I forged bonds with late Mr. Tulsi Tanti of Suzlon and his chief marketing strategist Mr. I. C. Mangal initially Mr Gupta forged personal equation with Mr.Tanti. Their personal trust in me helped us overcome hurdles during the execution of our 211 MW wind power project. Once again, it proved that relationship capital is often more valuable than financial capital.


Rokhia Plant – Tripura

Another example was the Rokhia Plant in Tripura, where circumstances were especially difficult due to logistical challenges and local sensitivities. The cooperation between the state authorities, project leadership, and our team was not just contractual—it was built on trust and shared commitment. The Chief Engineer on the customer side worked with me almost like a partner, not as a counterpart across the table. Our alignment to the common goal of completing the project for Tripura’s power needs helped us overcome supply delays, terrain issues, and resource constraints. The experience showed once more that relationships built on mutual trust make even remote and complex projects achievable.


The Core Principle

Across all these experiences, one dictum consistently stood out:

In each case, the ultimate goal of both sides was the same — successful completion of the project. Once this shared goal was recognized, both sides naturally aligned themselves to it, transcending the narrow confines of contractual terms.

Two persons may sit on opposite sides of the table, but a common bridge can always be built. That bridge—be it technical trust, personal integrity, or even a shared love for badminton—transforms a transactional relationship into a partnership. When that happens, obstacles turn into opportunities, and projects turn into milestones.


Friday, August 15, 2025

Title: ScamBuster Jogenbabu: The Pensioner Who Played the Game

Title: ScamBuster Jogenbabu: The Pensioner Who Played the Game



In a faded Kolkata flat that smelled faintly of pickle jars and old books, lived Jogenbabu, a retired engineer in his late sixties, whose daily thrills included arguing with the ceiling fan and squinting at TV serials he couldn’t really see anymore. His son, now a software honcho in Silicon Valley, sent him a regular monthly allowance—which reliably vanished around the 18th of every month. His wife had passed years ago, and the silence in the house had grown louder since.

But there was one antidote to his creeping loneliness: Samaranand, a neighbor three floors down and a self-styled “retired-but-rewired idea man.” Over endless cups of chai brewed so strong it could stand on its own legs, Jogenbabu would sigh, “Life’s become a slow buffering video, Samaranand.”

Samaranand’s response? “Then let’s reboot you, dada. Not physically—digitally. We’ll make you an online rockstar!”

“Rockstar? I can barely operate my Nokia!”

“No worries. We’ve got tech support.”

Enter the entertainment duo:

  • Babulal – street-smart, always in flip-flops, and spoke three languages fluently—Hindi, Bengali, and Gibberish (especially when bluffing).
  • Soumya – a soft-spoken hacker who could unlock your iPhone with just your shadow.

“Dada,” Samaranand declared dramatically, “we are going to launch Operation Grandpa Glam.”


Act I: Instagramming a Tycoon

Soumya got to work. With some Photoshop, Jogenbabu was transformed: silver hair slicked back, draped in tuxedos he never wore, with luxury yachts he’d never boarded behind him.

On Instagram:
🧓 Jogen Roy – Retired industrialist. Collector of vintage wines. Seeker of fine company and finer biryani.

Facebook posts showed him “playing golf in Phuket” (he’d never held a golf club) and sipping champagne in Monaco (it was actually thumbs-up soda on the rooftop of Hotel Minerva, Park Street).

Within 48 hours—Bingo. His DMs were buzzing like a mosquito in a blackout.

“Hello sir… business proposal…”
“Hey handsome, I like mature men 😘”
“You interested in investing in diamond mines?”

Jogenbabu: “Samaranand, what is happening? These people are MAD!”
Samaranand: “No, dada. They’re just greedy. You’re their golden goose. Only… you lay rubber eggs!”


Act II: The Hookah Honeypot

Enter Rhea—Telegram’s top temptress. Sari-clad profile pic, smoky eyes, and an emoji game sharper than a politician’s promises.

“Let’s meet at The Misty Lounge,” she messaged.
Jogenbabu, trying to sound suave, replied, “My Bentley or yours?”
She sent back a wink emoji. He sent back a confused one by mistake.

That evening, Jogenbabu wore a borrowed blazer and practiced his “millionaire chuckle” in front of the mirror. It came out as a wheeze.

Babulal, in a cheap leather jacket and Ray-Bans (bought from a Gariahat footpath), shadowed him on a battered Yamaha that coughed more than it roared.

At the lounge, Rhea was all sparkle and sass.

Rhea: “You seem… loaded.”
Jogenbabu: “Emotionally or financially?”
Rhea: “Hehe, both I hope.”
Jogenbabu (with fake depth): “My wealth lies in memories... and offshore accounts.”

She ordered exotic hookahs, cocktails, imported olives, and what felt like the entire menu. The bill arrived: ₹18,000.

Jogenbabu’s soul briefly left his body.

Bar owner (hulking, gold-chain-wearing): “Payment, now.”
Jogenbabu: “Let me call my... um... wealth manager.”

Babulal stormed in, flashing a fake police badge like a Bollywood villain-turned-hero.

Babulal: “WHO is threatening my client? I smell a scam here!”
Owner: “What?! No sir! No scam! Just a misunderstanding.”
Babulal (whispering): “Release him, or tomorrow this lounge becomes a paan shop.”

Jogenbabu sauntered out like a Bond uncle, grinning. “Hookah toh bahana tha, Rhea toh drama tha!”


Act III: Enter the Big Fish

One rainy night, a slick guy named Vikram slid into his Insta DMs.

“Sir, want to double your money in a year? Invest in Paradise Retreats—Goa’s finest villa project!”

Jogenbabu: “Will there be wine cellars?”
Vikram: “Of course, sir. Personalized butlers too!”

Samaranand sniffed danger. “Dada, this one’s not like the others. He’s corporate-level crooked. Soumya, do your magic.”

Within hours, Soumya cracked it: Vikram was part of a real estate mafia, had political protection, and a record of muscle tactics.

Babulal: “We’re not just dealing with a scammer, dada. We’ve got a villain from season two of a web series!”


Act IV: The Great Goa Villa Sting

Samaranand drew up the plan like a military strategist. Jogenbabu would act the gullible investor, carrying a briefcase full of very realistic fake notes. Babulal’s market boys would play backup muscle. Soumya would leak the entire scam to a hungry news agency.

At the shady office in a dingy complex, Vikram greeted Jogenbabu with fake warmth and too much cologne.

Vikram: “Sign here, sir. You’ll be a 50% partner.”
Jogenbabu (leaning in, dramatic): “Only if I can name the villas after my dogs—Snuffy and Tiger.”
Vikram (confused): “Uh... sure?”

Just then, the door burst open.

Babulal (in full cop mode): “This is a raid! Vikram Malhotra, you’re under investigation!”
Goons tried to react. Market boys pounced. One goon screamed, “Is this Zee TV?”

In the chaos, Jogenbabu stood up, tore the fake contract, and thundered, “You picked the wrong pensioner!”

Outside, news vans rolled in.

Next morning, headlines screamed:
"Octogenarian Outsmarts Scam Syndicate!"
"Grandpa Goes Gangsta!"


Epilogue: The Rise of InstaBabu

Back at their HQ (a.k.a Samaranand’s flat), the gang sipped tea and munched samosas.

Soumya: “Dada, you’re trending. Real millionaires are messaging. One even offered you a private jet to Bali.”
Babulal: “Shall I book it? I’ll come as your bodyguard-slash-chaiwala.”

Samaranand: “So, Jogenbabu, what now? Scam the rich... or retire as a legend?”

Jogenbabu reclined, holding his cup high, eyes twinkling like streetlamps in monsoon mist.

“Why choose, my friend?” he chuckled. “Let’s continue the game. I still have a few personas left—next week, I’m a retired Maharaja.”

They all burst out laughing, as somewhere online, yet another scammer clicked follow—completely unaware he was the one walking into a trap.


To be continued...
(Because legends don’t retire. They trend.)

Thursday, August 07, 2025

The Night The Waters Rose



THE NIGHT THE WATERS ROSE
Memoir from Barauni, 1976
By S. N. Roy


When floodwaters crept into the heart of a refinery — and my home — duty, fear, and silent courage collided. But what I remember most is not the chaos of machines shutting down, but the quiet strength of my wife carrying our infant son to safety, alone.


A Duty-bound Dilemma

It was the monsoon of 1976, and the rains showed no signs of relenting. As the shift charge engineer of the captive power plant at Barauni Refinery, I was used to high-pressure situations — but that evening brought something different. Something far more unsettling.

Rainwater, unable to escape to the Ganges due to closed outflow gates, began to accumulate across the township and refinery complex. The Ganges itself was flooded, and opening the gates risked backflow — a technical and geographical Catch-22.

While others may have seen just puddles forming, I stood in the power house, watching the rising waterline inch towards the condensate pump which was in minus level. I had to act. With measured urgency, I initiated the shutdown of the power plant — the beating heart of the refinery — to protect equipment from catastrophic failure.

Even as I went through the motions of industrial protocol, my thoughts were elsewhere.


Home in Peril

In our modest township bungalow, my wife was alone with our one-year-old son. News came in fast — the township was going under. Water had entered the residential quarters. My mind raced, but duty had shackled me to the control panel. I had to wait for my shift to end.

Meanwhile, my wife, showing a calmness and courage that would later leave me in awe, sprang into action. With the help of our neighbour Ramchandra Ayyer, she lifted the refrigerator onto the dining table, opened the doors to allow water to flow through — not trap inside — and with our child in her arms, waded through rising floodwaters to the first-floor home of my dear friend, Late P. G. Das.

No mobile phones. No updates. Just instinct and trust.


A Lonely Vigil

By the time I finished my shift and returned after 10 p.m., the house stood eerily quiet. The main door was open, just as she’d left it. Water had risen inside, flowing beneath the bed like an obedient stream. The ceiling fan spun above, but the silence below was deafening.

I didn't know where my family was. I only hoped they had found shelter.

That night, I did not — could not — sleep. I kept vigil in that flooded house, all doors open, determined not to let the water rise higher, not to let the bedroom become a water tank. Every creak, every ripple of water in the moonlight, felt louder than thunder. I was surrounded by soaked walls and uncertainty. But I stayed. Not for material things — but because leaving felt like surrender.


A Salute to Her Strength

My wife never once panicked. She did not wait for instructions or rescue. She assessed, acted, and moved — carrying our baby through the night, through uncertainty, to safety. She did it all in my absence, while I stood knee-deep in responsibility at the plant.

Even now, that night haunts me. Not for its drama, but for its silence. For the image of an open door, a baby in a mother’s arms, and a man alone in his half-submerged home wondering what mattered more — his machines or his family.


Legacy of a Night

The Barauni flood of 1976 lasted days. The refinery took weeks to return to full operation. Equipment had to be dried, cleaned, rewound, recalibrated. But machinery can be repaired. That night taught me that love, trust, and courage — especially from those we often underestimate — are what truly power our lives.

My salute is not just to the workers who brought the refinery back to life, but to my wife — who, without fuss or fanfare, kept our family safe, and taught me what real strength looks like.

Friday, August 01, 2025

Adda 2055 -The Last Real Coffee House

Adda 2055 — The Last Real Coffee House


The Indian Coffee House, College Street, Kolkata — paint peeling, waiters in Nehru caps, ceiling fans whirring at their own sleepy rhythm. Amid this charming decay, at their forever corner table, the Fab Four of 75+: Ramu, Jadu, Shirish, and Amiyo were raising hell again. Their combined age could beat a banyan tree, but their tongues? Razor sharp.


Ramu (mischievous glint, stirring his thick coffee like a potion):
“Boys, I read yesterday that by 2055, people will be dating AI companions with built-in mood stabilizers. Imagine falling in love with a glorified Alexa. ‘Darling, how do I look?’ — ‘You are 98.7% stunning, based on global metrics.’ Bas! That's romance now.”

Jadu (rolling his eyes):
“Romance is dead, Ramu. It’s already buried under the 17 layers of gated community security. I visited one in Gurgaon last month—oxygen bar, mood lighting, even AI-generated flute music! No para. No tea stalls. No aunties peeking from balconies. Just sterile smiles and indoor air purifiers.”

Shirish (cracking his knuckles, techie mode on):
“Gated communities are just the beta version of future bunkers. By 2055, half the world will be unemployed thanks to robots making your coffee and wiping your—well, you know. The other half? Bored out of their diamond-studded skulls, doing yoga on Mars, maybe. I read rich folks in Japan now pay to experience ‘manual labor’ weekends. Imagine Mukesh Ambani digging potatoes for inner peace!”

Amiyo (peacefully sipping coffee, eyes twinkling):
“Shirish, you're missing the point. When everything becomes artificial, the soul will seek what’s real. Remember what Vivekananda said—‘You have to grow from the inside out.’ These burnt toasts and bitter coffees are real. By 2055, people will beg for ashrams with Wi-Fi and guided meditation bots chanting the Gayatri Mantra.”


Ramu (smirking):
“Wait till AI starts writing poetry in Tagore’s voice! And people will say, ‘Wow, this bot feels!’ Meanwhile, poor humans will be on prescription serotonin just to survive Monday.”

Jadu (nodding vigorously):
“Exactly! Already, Delhi’s AQI hit 450 last week. In 30 years, kids will think 'O2' is a luxury brand. Every gated flat will come with its own oxygen bank. And street-side adda? Replaced by AI moderators: ‘Let’s keep the conversation civil, folks.’ Bah!”

Shirish (with a dramatic sigh):
“And don't even mention jobs. In 2024, China’s factories cut 20% of workers with automation. By 2055, even IT guys will be out. Only civil engineers like me will matter—we’ll be the last humans building anything. I’ll be in demand till I’m 110!”

Amiyo (calmly):
“You might build oxygen bars and robot cafes, Shirish. But one question will remain: ‘Why am I here?’ And no robot can answer that. That’s where our real journey begins.”


Ramu (mock whisper):
“Careful, Amiyo. Say such things and the robots might flag you for philosophical subversion!”

Jadu (slapping the table, coffee nearly spilling):
“Hah! By 2055, humans will need a passcode just to feel emotions. Joy-153, Anger-406! And dating? You’ll have to subscribe: LoveLite™—Free hugs for 7 days, cancel anytime!

Shirish (laughing):
“Add a tier: LoveMax™ with real arguments and mother-in-law simulations!

Amiyo (smiling):
“You laugh now, but I say this: the soul is the last rebel. When the brain breaks down from AI overstimulation, when love becomes code, when no one talks at a tea stall anymore—then someone will search for silence. For meaning. For that one real cup of coffee.”


The four fell silent for a moment, sipping their real, gritty brew. Then Ramu broke the quiet.

Ramu (grinning):
“Alright then, boys. In 2055, we’ll launch a Real Adda CafÊ™. No bots. No filters. Just old men gossiping, burnt toast guaranteed.”

Jadu (saluting with his cup):
“And mandatory fights over politics. With spitting range arguments!”

Shirish:
“I’ll design it. Solar-powered, air-filtered, but with leaky roofs. Nostalgia sells!”

Amiyo:
“And I’ll add a meditation nook. Free Wi-Fi for the body, but a silent zone for the soul.”


As the laughter swelled and the ceiling fan creaked in approval, a waiter shuffled over with another round, grinning. These four? They weren’t just customers. They were the last philosophers of a fading world, holding court over coffee—and refusing to be digitized.


Epilogue: Their Forecast for 2055 – Now Served Hot with Coffee

  • Ramu: Love downgraded to AI apps; mental breakdowns rise like house rent.
  • Jadu: Oxygen bars replace tea stalls; gated communities crush para adda.
  • Shirish: AI takes over jobs; manual labor becomes exotic tourism for bored billionaires.
  • Amiyo: Tech may rule the mind, but the soul will seek shelter—in silence, in song, in Swami Vivekananda.

One real table. Four old friends. A future worth laughing over.

Wednesday, July 30, 2025

āφāĻĄ্āĻĄা āĻāĻ–āύ āĻ•ি āĻšāĻŦে āϤāĻ–āύ!

āφāĻĄ্āĻĄা āĻāĻ–āύ āĻ•ি āĻšāĻŦে āϤāĻ–āύ


(āϚিāϰāĻ•াāϞীāύ āϚাāϰ āĻŦāύ্āϧু: āϰাāĻŽু, āϝāĻĻু, āĻļিāϰীāώ āφāϰ āĻ…āĻŽিāϝ় — āϏāĻŦাāχ ā§­ā§Ģ āϊāϰ্āϧ্āĻŦ)



āϰাāĻŽু (āϚা-āϰ āĻ•াāĻĒে āϚুāĻŽুāĻ• āĻĻিāϝ়ে, āϚোāĻ– āφāϧ-āĻŦāύ্āϧ):
āĻ­াāχ, āĻĒ্āϰেāĻŽ āφāϰ āĻŦিāϝ়ে — āĻ āϏāĻŦ āĻāĻ–āύ āϏাāĻŦāϏ্āĻ•্āϰিāĻĒāĻļāύ āĻŽāĻĄেāϞে āϚāϞে। āĻŽুāϰাāĻ•াāĻŽি āĻ িāĻ•āχ āĻŦāϞেāĻ›ে — āϏāĻŦāĻ•িāĻ›ুāχ āϟ্āϰাāύāϜ্āϝাāĻ•āĻļāύাāϞ।
āφāϜ āĻ­াāϞোāĻŦাāϏো, āĻ•াāϞ Unfollow, āĻĒāϰāĻļু Emotional Detox! āĻāχ āϤো āĻĒ্āϰেāĻŽ।

āϝāĻĻু (āĻšাāϏāϤে āĻšাāϏāϤে āĻŽাāĻĨা āύেāĻĄ়ে):
āĻĒ্āϰেāĻŽ āϤো āĻĻূāϰেāϰ āĻ•āĻĨা, āϏāĻŽাāϜāϟাāχ āĻ­েāĻ™ে āĻĒāĻĄ়āĻ›ে āϰে āĻ­াāχ।
āĻ—েāϟেāĻĄ āĻ•āĻŽিāωāύিāϟি āĻ–ুāϞে āĻ–ুāϞে āĻāĻ•েāĻ•āϟা āφāϞাāĻĻা āĻĻেāĻļ!
āĻ“āχ āύিāωāϟাāωāύেāϰ āĻāĻ•āϟা āĻ•āĻŽāĻĒ্āϞেāĻ•্āϏে āĻ—েāϞাāĻŽ — āϏেāĻ–াāύে āĻĻাāϰোāϝ়াāύ āύেāχ, āϰোāĻŦāϟ āϏ্āĻ•্āϝাāύ āĻ•āϰে QR Code, āϘāϰে āĻĢেāϏিāϝ়াāϞ āϰিāĻ•āĻ—āύিāĻļāύ āϞāĻ•। āφāϰ āĻŽাāĻĨাāϰ āĻ“āĻĒāϰ āĻĻিāϝ়ে āωāĻĄ়āĻ›ে āĻĄ্āϰোāύ surveillance, āϝেāύ āφāĻŽāϰা āϜেāϞāĻ–াāύাāϝ়!

āĻļিāϰীāώ (āϚāĻļāĻŽা āĻ িāĻ• āĻ•āϰে, āϟেāĻŦিāϞে āφāĻ™ুāϞ āĻ ুāĻ•āĻ ুāĻ• āĻ•āϰে):
āφāϰ āĻ­āĻŦিāώ্āĻ¯ā§Ž? IT-āϟা āĻļেāώ! ChatGPT-āϰ āĻŽāϤ AI āϤো āĻ•োāĻĄ āϞেāĻ–ে, āϚ্āϝাāϟ āĻ•āϰে, āĻ—াāύ āϤোāϞে...
āφāϏāϞ āϟিāĻ•ে āĻĨাāĻ•āĻŦে hardcore āχāĻž্āϜিāύিāϝ়াāϰিং — āχāϞেāĻ•āϟ্āϰিāĻ•্āϝাāϞ, āĻŽেāĻ•াāύিāĻ•্āϝাāϞ, āϏিāĻ­িāϞ।
āĻ—্āϞোāĻŦাāϞ āĻ“āϝ়াāϰ্āĻŽিং āĻ েāĻ•াāϤে āϏোāϞাāϰ-āĻšাāχāĻĄ্āϰোāϜেāύāχ āĻ­āϰāϏা। āφāĻŽি āϤো āĻĒ্āϞ্āϝাāύ āĻ•āϰে āϰেāĻ–েāĻ›ি — “āϰিāϟাāϝ়াāϰ্āĻĄ āχāĻž্āϜিāύিāϝ়াāϰāĻĻেāϰ āϜāύ্āϝ āϏোāϞাāϰ āϏেāύ্āϟাāϰ” āĻ–ুāϞāĻŦ!

āĻ…āĻŽিāϝ় (āĻ—āĻŽ্āĻ­ীāϰ āĻ—āϞাāϝ়, āϚোāĻ–ে āĻļাāύ্āϤ āĻšাāϏি):
āϤোāĻŽāϰা āϏāĻŦাāχ āĻŦাāχāϰেāϰ āĻĒ্āϰāϞāϝ় āĻĻেāĻ–āĻ›, āφāĻŽি āĻĻেāĻ–ি āĻ­িāϤāϰেāϰ āĻāĻĄ়।
āĻŽাāύুāώ āĻŦাāχāϰেāϰ āϏāĻŽāϏ্āϝাāϰ āϜāύ্āϝ āϰোāĻŦāϟ āĻŦাāύাāĻŦে, āĻĄ্āϰোāύ āϚাāϞাāĻŦে, āĻ…āĻ•্āϏিāϜেāύ āĻ•িāύāĻŦে।
āĻ•িāύ্āϤু āĻ­িāϤāϰেāϰ āĻĢাঁāĻ•া āϜাāϝ়āĻ—া? āϏেāĻ–াāύেāχ āφāϏāĻŦে āϰাāĻŽāĻ•ৃāώ্āĻŖ āφāϰ āϏ্āĻŦাāĻŽী āĻŦিāĻŦেāĻ•াāύāύ্āĻĻ।
āϝেāĻŽāύ āĻ—্āϰিāĻ• āĻĻেāĻŦāϤাāϰা āĻšাāϰিāϝ়ে āĻ—েāϞ, āĻ•িāύ্āϤু “āφāĻŽি āĻ•ে?” āĻāχ āĻĒ্āϰāĻļ্āύāϟা āĻ•āĻ–āύো āĻšাāϰাāϝ়āύি।


āϰাāĻŽু (āĻŽুāϚāĻ•ি āĻšেāϏে, āĻ োঁāϟে āϚা):
āĻāĻ•āĻĻিāύ āĻĒ্āϰেāĻŽ āĻšāĻŦে ‘AI Love Premium’ āĻ…্āϝাāĻĒে —
“Try 7 Days Free. Break-up Button Optional.”
āφāϰ āĻŦিāϝ়ে āĻšāĻŦে Pop-up Contract, “Terms & Conditions Apply!”

āϝāĻĻু (āĻĻাঁāϤ āĻŦেāϰ āĻ•āϰে):
āĻāĻ–āύāχ āϤো āĻŦাāϚ্āϚাāϰা āĻ…āĻ•্āϏিāϜেāύ āĻŦাāϰ-āĻ āϝাāϝ় āĻĢ্āϰেāĻļ āĻšāϤে!
āĻ•āϞāĻ•াāϤাāϰ āĻŦাāϤাāϏে āĻāϤ āϧোঁāϝ়া, āĻāϤ PM2.5 āϝে āĻļ্āĻŦাāϏ āύিāϞেāχ āĻŽāύে āĻšāϝ় āϝেāύ āχāĻŽাāϰāϜেāύ্āϏি āϚāϞāĻ›ে।
āĻāχāϏāĻŦ āĻ—েāϟেāĻĄ āĻ•āĻŽিāωāύিāϟি āĻšāϚ্āĻ›ে āύāϤুāύ āĻ•িāĻŦুāϤ্‌āϜ — āĻ­িāϤāϰে āφāϞাāĻĻা āϏংāϏ্āĻ•ৃāϤি, āφāϞাāĻĻা Adda, āφāϞাāĻĻা Reality।

āĻļিāϰীāώ (āĻšাāϏāϤে āĻšাāϏāϤে):
āφāϰ āĻ“āχ āĻ•āĻŽāĻĒ্āϞেāĻ•্āϏে āĻĸুāĻ•āϤে āĻšāϞে āϞাāĻ—āĻŦে retina scan।
āĻŦাāϜাāϰ āĻ•āϰāϤে āĻŦেāϰোāϞেāĻ“ āϰোāĻŦāϟ āĻŦāϞāĻŦে —
"Sir, your oxygen levels are optimal. Please proceed to Bio-farm zone for pesticide-free lettuce."

āĻ…āĻŽিāϝ় (āĻŽৃāĻĻু āĻ—āĻŽ্āĻ­ীāϰāϤা āύিāϝ়ে):
āϤাāĻ“ āĻŦāϞāĻŦ, āϝāϤāχ automation āφāϏুāĻ• —
āĻāĻ•āϟা āĻŽুāĻšূāϰ্āϤ āφāϏāĻŦে āϝāĻ–āύ āĻŽাāύুāώ āĻ•্āϞাāύ্āϤ āĻšāϝ়ে āϤাāĻ•াāĻŦে āφāĻ•াāĻļেāϰ āĻĻিāĻ•ে।
āĻšāϝ়āϤো āϏে āĻĄ্āϰোāύে āĻ­āϰ্āϤি āφāĻ•াāĻļ, āϤāĻŦু āĻ…āύ্āϤāϰে āĻ–ুঁāϜāĻŦে āφāĻ•াāĻļāĻĒাāύে āĻĻেāĻ–া āĻāĻ• āĻ…āĻŽāϞ āĻŽুāĻšূāϰ্āϤ।


āĻļেāώ āϚুāĻŽুāĻ• āφāϰ āĻšাāϏিāϰ āĻāϞāĻ•

āϰাāĻŽু:
āϤাāĻšāϞে, ⧍ā§Ļā§Ģā§Ģ āϏাāϞে āĻĒ্āϰেāĻŽ āĻšāĻŦে Pay-per-Date, āϚাāĻ•āϰি āĻĨাāĻ•āĻŦে āύা, āĻ›েāϞেāĻŽেāϝ়েāϰা āĻ…্āϝাāύ্āϟি-āĻĄিāĻĒ্āϰেāĻļāύ āĻĒিāϞ āĻ–াāĻŦে, āφāϰ āφāĻŽāϰা āĻ•āĻĢিāĻšাāωāϏেāϰ āϜāύ্āϝ petition āĻ•āϰāĻŦ?

āϝāĻĻু:
āύা āϰে āĻ­াāχ, āϤāĻ–āύ āφāĻŽāϰা āĻ–ুāϞāĻŦ “Old School Adda Cafe” —
āĻ•োāύো āϰোāĻŦāϟ āύāϝ়, āĻ•েāĻŦāϞ āϚা, āϏিāĻ™্āĻ—াāĻĄ়া, āφāϰ āĻ…āĻĒ্āϰāϝ়োāϜāύীāϝ় āϤāϰ্āĻ•! 😄

āĻļিāϰীāώ:
āφāϰ āφāĻŽি āĻŦাāύাāĻŦ solar-powered āĻ•āĻĢিāĻšাāωāϏ — āĻ—াāϰ্āĻĄ āϰোāĻŦāϟ āĻĨাāĻ•āĻŦে,
āĻ•িāύ্āϤু āĻāĻ• āĻ•োāĻŖে āĻĨাāĻ•āĻŦে āĻŽাāϟিāϰ āĻŦ্āϝাংāϚিāϰ āĻŽāϤো āĻāĻ• āϟেāĻŦিāϞ —
“Reserved for the last four human philosophers!”

āĻ…āĻŽিāϝ় (āĻšাāϞāĻ•া āĻšাāϏি āύিāϝ়ে):
āφāϰ āφāĻŽি āϏেāχ āϟেāĻŦিāϞেāϰ āĻĒাāĻļে āϰাāĻ–āĻŦ āĻāĻ•āϟা āĻ›োāϟ্āϟ āφāĻļ্āϰāĻŽ-āĻŽāϤো āĻ•োāĻŖ —
āϝেāĻ–াāύে āĻĨাāĻ•āĻŦে āύিāϰāĻŦāϤা। Wi-Fi āĻĨাāĻ•āĻŦে, āĻ•িāύ্āϤু āĻŽāύ āϚাāχāϞে āĻĄিāϏāĻ•াāύেāĻ•্āϟ āĻ•āϰা āϝাāĻŦে।


āĻļেāώে āĻāĻ• āĻ•āĻŦিāϤা: "āĻĄ্āϰোāύেāϰ āĻ›াāϝ়াāϝ় āĻ•āĻĢি"

āϰোāĻŦāϟ āĻĒাāĻšাāϰা āĻĻেāϝ় āĻ—েāϟেāϰ āϧাāϰে,
āĻĄ্āϰোāύ āϘোāϰে āϚোāĻ–েāϰ āωāĻĒāϰে;
āĻ…āĻ•্āϏিāϜেāύ āĻŦাāϰে āĻĻাāĻŽ āĻĻিāϝ়ে āύিāχ,
āϤāĻŦু āύিঃāĻļ্āĻŦাāϏে āĻļাāύ্āϤি āĻ•োāĻĨা āϰে?

āϚাāĻ•āϰি āύাāχ, āĻĒ্āϰেāĻŽে AI,
āĻĒ্āϝাāϰাāϰ āĻ•্āϞাāĻŦ āĻ—েāĻ›ে āĻĄেāϟা āϞাāχāύে;
āϤāĻŦু āĻŦুāĻĄ়ো āϚাāϰ āĻŦāύ্āϧু āĻŦāϏি āϚুāĻĒে,
āφāĻĄ্āĻĄাāϝ় āĻŽিāĻļে āϏ্āĻŦāĻĒ্āύ āĻĒুāϰāύো āĻ—াāύে।

āĻ­āĻŦিāώ্āĻ¯ā§Ž āĻšোāĻ• āϝāϤāχ āφāϧুāύিāĻ•,
āϏ্āĻŽৃāϤিāϰ āĻ•াāĻĒে āϚুāĻŽুāĻ• āĻĨাāĻ•āĻŦে āϚিāϰāύ্āϤāύ।


(āĻāχ āĻ•āĻĢিāĻšাāωāϏ, āĻāχ āϚাāϰāϜāύ, āφāϰ āĻāχ āφāĻĄ্āĻĄা—āĻāϟাāχ āϤো āφāϏāϞ āϏাāϏ্āϟেāύেāĻŦāϞ āĻĢিāωāϚাāϰ!)

===Note -āϧāύ্āϝāĻŦাāĻĻ Chatgpt āĻ›āĻŦিāϟাāϰ āϜāύ্āϝ!



Saturday, July 26, 2025

The Boiler Drum Whisper



The Boiler Drum Whisper

A ghost story from the thermal nights of Barauni, 1974 – as told by Grandpa Roy


The Queensland sky was just darkening when Isha tugged my kurta. “Dadu, ghost story! Please na... you promised yesterday!”

Veer was already curled on the sofa, hugging a giant kangaroo cushion. Shuddy, taller than me now and pretending to scroll through his phone, gave a sideways grin. “Only if this ghost is steam-powered, Dadu. We know your style.”

I smiled, adjusted my specs, and began.


Barauni, 1974

I had been married two years, and shift duty at the Captive Power Plant of Barauni Refinery was both adventure and responsibility. I worked as the Shift Charge Engineer, overseeing the night-shift operations of turbines, boilers, and electrical gear.

But the refinery had its... quirks.

Night shifts were often quiet, especially between 2 and 4 a.m. That’s when the operators sat sipping tea and exchanged ghost stories—tales of shadows flitting across control panels, toolkits moving on their own, or the eerie silence near the old Boiler 1 drum level.

The most repeated story was about Dube, a senior operator who had died years ago due to a fatal steam burn during an inspection. Since then, he was said to appear on night shifts, waving from the drum level, gesturing that the boiler water was low—even though the indicators always showed a safe level.

When I joined, the operators—Bhagat, Banerjee, Sahai, and S. P. Singh—gave me the usual warnings.

“Dube comes without appointment, sir,” Bhagat said with a grin, “He’s still loyal to his boiler.”


The First Encounter

One humid night in July, I was returning from my turbine round. As I walked toward the connecting platform of the four boilers, I noticed a figure in white near Boiler 1. He was standing right at the drum level—waving at me.

Something about the motion felt... deliberate.

I climbed the stairs slowly. As I approached, the figure drifted to Boiler 2. I followed—heart pounding, steps steady.

Then suddenly, just as I reached Boiler 2’s platform, the figure jumped over the railing.

I ran.

But when I reached the spot, there was no one below.

Disturbed but rational, I returned toward my Shift Charge Room. But as I passed the corridor window, I stopped cold.

Inside my chamber—someone was leaning on my chair. White clothing. Still figure.

I didn’t enter. Instead, I went straight to the main control room, where Ansari was manning the panels.

“Did anyone go into my office?”

Ansari looked puzzled. “No sir. Haven’t seen anyone.”

Together we returned to my room. It was empty—except for a folded paper on my desk.

It read, in faint Hindi:
"Be careful next time."

I showed it to Ansari.

He turned the paper over, then looked at me.

“Sir… this is blank.”

I looked again—and the ink was disappearing before my eyes.


The Second Incident

I thought perhaps it was my tired mind playing tricks. But a few weeks later, on another night shift, I dozed off briefly at my desk. My specs, which I had placed beside the logbook, were gone when I woke up.

Not under the table, not in the drawer, not in my pocket.

I asked everyone—Chaurasia, Bhagat, even Banerjee.

Bhagat laughed, “Maybe they went to check the feedwater levels on their own!”

It wasn’t funny then. But 20 minutes later, Sahai called out from near the condenser floor.

My specs were dangling from the wheel of an old manual valve, hanging there like some forgotten trinket.

Who put them there? No one knew. No one admitted.

Later that night, as I walked back to my room, I saw the same white figure—again in my chair.

This time Chaurasia accompanied me. And once again, the room was empty, but another warning note sat on the desk.

He too couldn’t read the writing—it vanished like mist.


The Remedy

Disturbed, I finally mentioned it to Mishra ji, an old-timer with faith deeper than the condensate tanks.

“Hanuman ji is always present where there is fire and danger,” he said.
“Carry this,” he handed me a small red Hanuman Chalisa, “and do paath on Tuesdays. He is Sankatmochan—the remover of troubles.”

And so I did.

I began carrying the booklet in my shirt pocket. Every Tuesday, I read it quietly during my shift break. I wasn’t superstitious, but I felt... protected.

And like magic—the incidents stopped.

No figures. No notes. No vanishing specs. Even Banerjee joked,

“Looks like Dube is scared of Bajrangbali!”


The Reveal – 1978

Four years later, in 1978, I resigned from Indian Oil to join BHEL Delhi. On my farewell day, we had chai and samosas near the control room.

Bhagat raised his tea cup.

“To Roy saab—who didn’t faint like Verma!”

Everyone laughed.

Then Sahai came over, smiling mischievously.

“Roy saab, ek baat bolun? That note you found the second time... that was my handwriting.”

I stared. “What?!”

“Yes,” he chuckled. “Every new Shift Charge Engineer gets a ghost story treatment. Tradition hai! Dube was real, but the rest—we added spice.”

“The specs?” I asked.

“Banerjee. He used a stick and a monkey wrench to lift it from under the table.”

I laughed till my eyes watered.

They had made me part of the refinery’s folklore—and I had survived with my pride and a red Hanuman Chalisa in my pocket.


Present Day – Australia

I ended my story with a smile. Shuddy looked amused.

“So basically, you got hazed by your own team?”

“Professionally,” I said, sipping my tea.

Veer whispered, “Did Hanuman ji really scare them away?”

I winked. “Hanuman ji scared even the pranksters.”

Isha climbed into my lap.

“Dadu... can I have a small red book like yours?”

I hugged her tight.

“Of course, my dear. But remember—more powerful than Hanuman Chalisa is one thing...”

“What?” asked Shuddy.

I smiled.

“Having good people around you—even if they steal your specs and write ghost notes.”



Wednesday, July 23, 2025

My discussion with Voice AI

Lately, whenever I’m in the mood to dive into a beloved book or classic movie, I turn to Voice AI for a chat. The other day, I had a fantastic time discussing *A Gentleman in Moscow* by Amor Towles, and my conversation about *Casablanca* was just as delightful.

Here are the snatches of discussion I had with Her,it appeared as though I am discussing with a real person but loaded with information.
It was good time pass and a fun !
My discussion
.....
Could you clarify what topic you'd 
like to discuss? I'm all ears!
Oh, Casablanca—such a classic! 
Bogart and Bergman’s chemistry as 
Rick and Ilsa is just electric, isn’t it? 
That foggy airport scene gets me 
every time. What do you love about 
it? Want to talk about the romance, 
the war backdrop, or maybe that 
iconic “Play it, Sam” moment?
Yeah, that boundless love in 
Casablanca really
Absolutely, Rick and Ilsa’s love in 
Casablanca feels like it transcends 
everything—time, place, even
Oh, that line! “Of all the gin joints in 
all the towns in all the world, she 
walks into mine.” Rick’s mix of 
heartbreak and irony just hits so 
hard, doesn’t it? It’s like fate’s 
playing a cruel joke on him. What is it 
about that dialogue that sticks with 
you? The raw emotion or just 
Bogart’s delivery?
Yeah, that line’s a gut-punch every 
time! Rick’s trying to play it cool, but
Oh, you’re diving right into the heart 
of it! It’s not Joe, though—it’s Sam, 
played by Dooley Wilson. That 
moment when Ilsa says, “Play it, 
Sam. Play ‘As Time Goes By,’” it’s

like the whole movie hinges on that 
song. It’s their love wrapped up in 
music, pulling Rick right back to 
Paris. Does that scene give you 
chills too?
Oh, yeah, that dynamic between 
Rick and Captain Renault is gold! It’s 
this sly, witty camaraderie—
Louis Renault is pure gold, isn’t it? 
Rick and Renault’s back-and-
forth—part
Yeah, exactly! Rick and Louis 
Renault have this sneaky 
camaraderie that’s so fun to watch. 
Louis
You’re asking about the actor who 
played Louis Renault, right? That’s 
Claude Rains. His sly, charming 
performance as the corrupt-but-
likable Commandant is so perfect, 
isn’t it? Always walking that fine line 
between friend and foe to Rick. Want 
to talk more about their dynamic or 
something else
Claude Rains just nails that sly, 
charming vibe as Louis, doesn’t he? 
The way he
charming yet calculating vibe as 
Louis Renault, doesn’t he? The way 
he plays off Bogart’s Rick—like 
they’re constantly sizing each other
You’re asking about the actor who 
played Louis Renault, right? That’s 
Claude Rains. His sly, charming 
performance as the corrupt-but-
likable Commandant is so perfect, 
isn’t it? Always walking that fine line 
between friend and foe to Rick. Want 
to talk more about their dynamic or 
something else
Claude Rains just nails that sly, 
charming vibe as Louis, doesn’t he? 
The way he
charming yet calculating vibe as 
Louis Renault, doesn’t he? The way 
he plays off Bogart’s Rick—like 
they’re constantly sizing each other
Rick puts duty over love, or 
something else?
Oh, man, that final airport scene is 
just heart-wrenching, isn’t it? Rick 
giving up Ilsa, letting her fly off with 
Victor Laszlo while he and Louis 
Renault stand there in the fog—it’s 
so selfless yet so painful. Bogart’s 
face says it all without saying much. 
And then that iconic walk into the 
mist with Renault, starting their 
“beautiful friendship.” What hits you 
most about that sacrifice? The way 
Rick puts duty over love, or 
something else?
Oh, man, that final airport scene is
just heart-wrenching, isn’t it? Rick 
giving up Ilsa, letting her fly off with 
Victor Laszlo while he and Louis 
Renault stand there in the fog—it’s 
so selfless yet so painful. Bogart’s 
face says it all without saying much. 
And then that iconic walk into the 
mist with Renault, starting their 
“beautiful friendship.” What hits you 
most about that sacrifice? The way 
Rick puts duty over love, or 
something else?
Next time we will discuss about An 
Affair to Remember!
Oh, *An Affair to Remember*—what 
a romantic gem with Cary Grant! 
That one’s got all the feels, doesn’t 
it? Nickie and Terry’s love story of
that ocean liner, and then that gut-
punch of a twist with the Empire 
State Building. Want to talk about 
what makes it special for you? 
Maybe that chemistry between Grant 
and Deborah Kerr, or a specific






Saturday, July 19, 2025

Kicking it Old School: Ted Lasso

**Kicking It Old School: Blending Ted Lasso’s Life Lessons with My Gauhati Refinery Football Days**

Picture this: it’s 1965, and I’m rattling along in a creaky bus with my football teammates from Gauhati Refinery, Indian Oil Corporation, headed to Upper Assam for the All-Assam Oil Companies Football Tournament. The air is thick with cigarette smoke, laughter, and the kind of camaraderie that only a shared love for the game can spark. Fast forward to 2025, I’m curled up watching *Ted Lasso* on Apple TV, and suddenly, those dusty bus rides and sweaty matches flood back, mingling with the wholesome, heartfelt chaos of Richmond FC. The parallels? Uncanny. The vibe? Pure gold. *Ted Lasso* isn’t just about soccer—it’s about life, love, and the messy, beautiful moments that stitch us together. My days in the ‘60s with the Gauhati Refinery squad? Pretty much the same, just with worse haircuts and no biscuits with the boss.

### The Bus Ride: Where Ranks Dissolve and Wisecracks Fly
Our bus to Upper Assam was less a mode of transport and more a rolling circus. We were a motley crew: Amanullah, our stoic captain; me and the late Bhaskaran, the only officers; and a gang of players from various lower grades—Rebo Poddar, Bhakta Bahadur Chetri, Phukan the striker, and others. Ranks? Out the window. On that bus, we were just mates, swapping stories and cracking jokes that’d make a sailor blush. Rebo Poddar, our resident comedian, had us in stitches with his deadpan delivery: “If we lose to ONGC, I’m blaming Bhakta’s boots—they’re so old, they’ve got their own pension plan.” Bhakta Bahadur Chetri, never one to back down, shot back, “Rebo, your passes are so wild, they’re applying for visas to Bhutan!” Even Bhaskaran, usually the serious type, chimed in, “Boys, if we don’t win, I’m trading you all for a crate of Kingfisher.”

It’s the kind of banter that *Ted Lasso* nails perfectly. I can almost hear Ted, with his folksy charm, saying, “You know, fellas, be a goldfish. Forget the bad plays and move on.” That’s what our bus rides were—moments to forget the daily grind, to laugh, strategize, and dream about life beyond the refinery. We talked about the game, sure, but also about girls, politics, and whether we’d ever afford a car that didn’t sound like a dying buffalo. It was our version of Ted’s “Believe” sign—our shared faith in each other, no matter the scoreline.

### The Phukan Fiasco: A Jailbreak with a Side of Giggles
The tournament itself was a blast—matches against Oil India in Duliajan, Assam Oil Company in Digboi, and ONGC in Sibsagar. But the real story? Our striker Phukan’s legendary bender after the Digboi match. The man celebrated our draw with Assam Oil like we’d won the World Cup, downing enough local hooch to sink a small ship. Next thing we know, he’s cooling his heels in a Digboi police station for “disturbing the peace” (read: singing off-key Assamese folk songs at 2 a.m.). 

The morning after, the whole team piled into the station to spring him. The scene was straight out of a comedy sketch. The officer, a stern type with a mustache that could star in its own movie, glared at us. “Your friend thinks he’s Lata Mangeshkar,” he grumbled. Rebo, quick as ever, piped up, “Sir, if Phukan’s singing is a crime, you should arrest his barber too—that haircut’s a felony!” Even the cop cracked a smile. Bhakta, ever the diplomat, slipped in, “Sir, he’s our best striker. If you keep him, we’ll lose to ONGC, and that’s a bigger crime.” After some groveling (and a small “fine” that suspiciously resembled a bribe), Phukan was free, looking like a scolded puppy but grinning by the time we got back to the bus. Ted Lasso would’ve loved it—his line, “There’s two buttons I never like to hit: panic and snooze,” could’ve been our motto that day.

### Amsterdam Adventures: Ted Lasso Meets My Red Light Rambles
Fast forward to 2002, I’m in Amsterdam for work, tagging along with my buddy Surender Wahi. Watching *Ted Lasso*’s Amsterdam episode—where the team scatters for a night of self-discovery—took me right back. Surender and I, like a pair of clueless Roy Kents, stumbled into a gay bar by accident. The bartender, spotting our confusion, winked and said, “First time? Don’t worry, you’re not *that* cute.” We laughed, stayed for a drink, and moved on to a bar where the air was, let’s say, *herbally enhanced*. Then came the red-light district, a tourist magnet where call girls posed in glowing balconies like living postcards. It was surreal, like stepping into a movie set. My second trip to Amsterdam was quieter—strolling along the canals, soaking in the city’s charm, much like Ted’s reflective moments by the water. 

*Ted Lasso*’s Amsterdam adventure, with its pillow fights and Jamie Tartt’s canal cruise, captures that same mix of chaos and clarity. Ted’s gem, “I think it’s the lack of hope that comes and gets you,” resonates here. Whether it was navigating Amsterdam’s wild side or surviving Phukan’s jailbreak, it’s the hope—of a good game, a good night, a good life—that keeps you going.

### Why Ted Lasso Hits Home
*Ted Lasso* isn’t just about soccer; it’s about the messy, human moments that make life worth living. My Gauhati Refinery days were no different. We weren’t just chasing a ball; we were chasing connection, purpose, and a few laughs along the way. The show’s wisdom—lines like “Be curious, not judgmental” or “You beating yourself up is like Woody Allen playing the clarinet: I don’t want to hear it”—echoes the lessons we learned on those bus rides and dusty pitches. We didn’t have a Coach Lasso, but we had Amanullah’s quiet leadership, Rebo’s wisecracks, and Phukan’s ability to turn a match into a misadventure.

The show’s relatability is its magic. Whether it’s Ted’s relentless optimism or Roy Kent’s grumpy heart of gold, you see yourself in the characters. My team’s bus rides, Phukan’s jailbreak, and my Amsterdam escapades—they’re all *Ted Lasso* moments, full of heart, humor, and the kind of stories you tell for decades. As Ted says, “If you’re with the right folks, you can handle whatever comes your way.” That was us in ‘65, and it’s why *Ted Lasso* feels like a love letter to those days.

**Footnote on Ted Lasso**: *Ted Lasso* is an Apple TV+ series (2020–2023) created by Jason Sudeikis, Bill Lawrence, Brendan Hunt, and Joe Kelly. It follows Ted Lasso, an American football coach hired to manage a struggling English Premier League soccer team, AFC Richmond, despite knowing little about the sport. Through three seasons, the show blends humor, heart, and life lessons, earning critical acclaim (including 13 Emmy Awards) for its writing, performances, and themes of optimism, teamwork, and personal growth. It’s less about soccer and more about the human connections that make any team—on or off the pitch—unstoppable.




TAGLINE (Ted's voiceover as credits roll):

"In football as in life — it's not just about scoring goals. It’s about showing up, passing the ball, and sometimes… drinking tea you don’t even like, just to say you tried."


Thursday, July 17, 2025

ā¤ĩो ā¤ļाā¤Ž

ā¤Ŧ्⤞ॉ⤗ ā¤ļी⤰्⤎⤕: ā¤ĩो ā¤ļाā¤Ž...
✍️ ⤞े⤖⤕: ā¤ā¤¸. ā¤ā¤¨. ⤰ॉ⤝


---

"ā¤ĩो ā¤ļाā¤Ž ⤕ु⤛ ā¤…ā¤œीā¤Ŧ ā¤Ĩी..."
ā¤šā¤° ā¤Ŧा⤰ ⤜ā¤Ŧ ⤝े ⤗ा⤍ा ā¤Ŧ⤜⤤ा ā¤šै, ā¤Ļि⤞ ā¤Žें ā¤ā¤• ⤗ुā¤Ļ⤗ुā¤Ļी ⤏ी ā¤šो⤤ी ā¤šै। ⤜ै⤏े ⤕ि⤏ी ⤍े ā¤Ēु⤰ा⤍ी ⤰ी⤞ ⤚⤞ा ā¤Ļी ā¤šो – ⤕⤭ी ⤰ं⤗ी⤍, ⤕⤭ी ā¤Ŧ्⤞ै⤕ ā¤ंā¤Ą ā¤ĩ्ā¤šाā¤‡ā¤Ÿ, ⤞े⤕ि⤍ ā¤šā¤Žेā¤ļा ā¤Ļि⤞ ⤕े ā¤Ŧेā¤šā¤Ļ ⤕⤰ीā¤Ŧ।

ā¤Ŧा⤤ ⤏ि⤰्ā¤Ģ ⤗ा⤍े ⤕ी ā¤¨ā¤šीं ā¤šै, ⤕िā¤ļो⤰ ā¤Ļा ⤕ी ⤆ā¤ĩा⤜़ ⤜ै⤏े ā¤Ļि⤞ ⤕ी ⤍⤏ों ā¤Žें ⤉⤤⤰⤤ी ā¤šै। ⤕⤭ी ⤕ि⤏ी ⤏ुंā¤Ļ⤰ ā¤Ļृā¤ļ्⤝ ⤕ो ā¤Ļे⤖⤕⤰ – ā¤ी⤞ ⤕ा ā¤ļां⤤ ā¤Ēा⤍ी, ā¤šā¤˛्⤕ी ⤗ु⤞ाā¤Ŧी ā¤ļाā¤Ž, ⤚ा⤝ ⤕ी ā¤Ē्⤝ा⤞ी ⤔⤰ ā¤Ē⤤्⤍ी ⤕ी ⤍ा⤰ा⤜़⤗ी (⤜ो ā¤šā¤° ā¤ļाā¤Ž ⤕े ⤏ाā¤Ĩ ā¤Ģ्⤰ी ā¤Žें ā¤Žि⤞⤤ी ā¤šै) – ⤤ो ⤞⤗⤤ा ā¤šै, ā¤Ŧ⤏ ā¤¯ā¤šी ā¤šै ⤜ीā¤ĩ⤍। ā¤Ģि⤰ ā¤ĩā¤šी ⤗ा⤍ा... ā¤ĩो ā¤ļाā¤Ž ⤕ु⤛ ā¤…ā¤œीā¤Ŧ ā¤Ĩी...

⤞े⤕ि⤍ ⤜⤍ाā¤Ŧ, ⤝े ⤗ा⤍ा ⤏ि⤰्ā¤Ģ ⤖ुā¤ļी ā¤Žें ā¤¨ā¤šीं ā¤Ŧ⤜⤤ा।
ā¤•ā¤ˆ ā¤Ŧा⤰ ⤐⤏ा ⤭ी ā¤šो⤤ा ā¤šै ⤜ā¤Ŧ ⤕ो⤈ ā¤ĩā¤œā¤š ā¤¨ā¤šीं ā¤šो⤤ी ⤉ā¤Ļा⤏ी ⤕ी – ā¤Ģि⤰ ⤭ी ā¤Žā¤¨ ⤭ा⤰ी-⤭ा⤰ी ⤏ा ā¤°ā¤šā¤¤ा ā¤šै। ā¤ļा⤝ā¤Ļ ā¤ļ⤰ी⤰ ⤕े ⤅ंā¤Ļ⤰ ⤕े ⤕ेā¤Žि⤕⤞्⤏ ⤕ो⤈ ⤏ी⤕्⤰े⤟ ā¤Ēा⤰्⤟ी ⤕⤰ ā¤°ā¤šे ā¤šो⤤े ā¤šैं – ā¤Ąोā¤Ēाā¤Žि⤍ ⤍े ⤛ु⤟्⤟ी ⤞े ⤞ी ā¤šो, ⤏े⤰ो⤟ो⤍ि⤍ ⤰ू⤠ ⤗⤝ा ā¤šो, ⤔⤰ ⤕ो⤰्⤟ि⤏ो⤞ ⤍े ā¤Ēू⤰ा ā¤Žं⤚ ⤏ं⤭ा⤞ ⤞ि⤝ा ā¤šो। ⤤ā¤Ŧ ⤝े ⤗ा⤍ा ⤖ुā¤Ļ ā¤Ŧ ⤖ुā¤Ļ ā¤Žā¤¨ ā¤Žें ⤗ूं⤜⤍े ⤞⤗⤤ा ā¤šै।


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⤍ॉ⤏्⤟ै⤞्⤜ि⤝ा – ⤇⤏ ā¤‰ā¤Ž्⤰ ⤕ी ā¤ā¤¸ी!

⤅ā¤Ŧ 80 ⤕ी ā¤‰ā¤Ž्⤰ ā¤Žें, ⤜ā¤Ŧ⤕ि ⤘ु⤟⤍ों ⤕ी '⤗्⤰े⤜ुā¤ā¤Ÿ ā¤Ąि⤗्⤰ी' ā¤Ēू⤰ी ā¤šो ⤚ु⤕ी ā¤šै, ⤔⤰ ⤍ींā¤Ļ 3 ⤘ं⤟े ⤕ी 'ā¤Žि⤍ी ⤏ी⤰ी⤜' ā¤Ŧ⤍ ⤚ु⤕ी ā¤šै, ⤍ॉ⤏्⤟ै⤞्⤜ि⤝ा ā¤šी ā¤ā¤•ā¤Žा⤤्⤰ Netflix ā¤šै ⤜ो ā¤Ŧि⤍ा ⤏ā¤Ŧ्⤏⤕्⤰िā¤Ē्ā¤ļ⤍ ⤚⤞⤤ा ā¤šै।

⤕⤭ी-⤕⤭ी ⤜ā¤Ŧ ⤏ुā¤Ŧā¤š ⤅⤖़ā¤Ŧा⤰ ⤞े⤕⤰ ⤆⤤ा ā¤šूँ (ā¤šां, ⤅ā¤Ŧ ⤭ी ⤆⤤ा ā¤šै – ā¤Ąि⤜ि⤟⤞ ⤝ु⤗ ā¤Žें ⤝े ā¤ā¤• ‘ā¤Ēु⤰ा⤤⤍ ⤗ौ⤰ā¤ĩ’ ā¤šै), ⤤ो ⤝ाā¤Ļ ⤆⤤ा ā¤šै – ⤤ā¤Ŧ ⤕े ⤅⤖़ā¤Ŧा⤰ ā¤Žें ⤖ā¤Ŧ⤰ ā¤šो⤤ी ā¤Ĩी, ⤅ā¤Ŧ ā¤Ŧ⤏ ā¤ĩि⤜्ā¤žाā¤Ē⤍ ⤔⤰ ⤅ā¤Ē⤰ा⤧!


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ā¤šा⤏्⤝ ⤭ी ⤜⤰ू⤰ी ā¤šै, ā¤ĩ⤰⤍ा ā¤ļाā¤Ž ā¤…ā¤œीā¤Ŧ ⤏े ⤭ी ā¤…ā¤œीā¤Ŧ ā¤šो ⤜ाā¤ā¤—ी

ā¤Ē⤤्⤍ी ā¤Ēू⤛⤤ी ā¤šैं – “⤇⤤⤍ा ⤉ā¤Ļा⤏ ⤕्⤝ों ā¤šो?”
ā¤Žैं ā¤•ā¤šā¤¤ा ā¤šूँ – “⤕ु⤛ ā¤¨ā¤šीं, ā¤Ŧ⤏ ā¤ĩो ā¤ļाā¤Ž ⤝ाā¤Ļ ⤆ ā¤—ā¤ˆ।”
ā¤ĩो ā¤Žु⤏्⤕⤰ा⤕⤰ ā¤•ā¤šā¤¤ी ā¤šैं – “⤤ā¤Ŧ ⤕ी ā¤ļाā¤Ž ⤝ाā¤Ļ ⤕⤰ ā¤°ā¤šे ā¤šो ⤝ा ⤤ā¤Ŧ ⤕ी ā¤ļā¤Žा?”
⤅ā¤Ŧ ⤕्⤝ा ⤜ā¤ĩाā¤Ŧ ā¤Ļूं? ā¤Ŧ⤏ ā¤Žु⤏्⤕⤰ा⤕⤰ ⤍ींā¤Ŧू ā¤Ēा⤍ी ⤕ा ⤘ूं⤟ ⤞े⤤ा ā¤šूँ। ā¤ĩो ⤭ी ⤅ā¤Ŧ ⤚ा⤝ ⤕ी ā¤œā¤—ā¤š ⤞े ā¤°ā¤šा ā¤šै – ā¤Ąॉ⤕्⤟⤰ ⤏ाā¤šā¤Ŧ ⤕ी ⤏⤖़्⤤ ā¤šिā¤Ļा⤝⤤ ā¤Ē⤰।


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ā¤ļाā¤Ž ⤔⤰ ⤜ीā¤ĩ⤍ – ā¤Ļो⤍ों ⤅ā¤Ŧ ⤧ीā¤Žे ā¤šैं

⤅ā¤Ŧ ā¤ļाā¤Ž 6 ā¤Ŧ⤜े ⤕ा ā¤Žā¤¤ā¤˛ā¤Ŧ ā¤Ēā¤šā¤˛े ⤜ै⤏ा ā¤¨ā¤šीं ā¤šै। ā¤Ēā¤šā¤˛े ā¤¯ā¤šी ā¤ĩ⤕्⤤ ā¤šो⤤ा ā¤Ĩा ⤛⤤ ā¤Ē⤰ ā¤Ÿā¤šā¤˛ā¤¨े, ā¤Ŧ⤚्⤚ों ⤕े ā¤ļो⤰-ā¤ļ⤰ाā¤Ŧे, ā¤Ē⤤ं⤗ā¤Ŧा⤜़ी ⤔⤰ ⤗⤞ी ⤕्⤰ि⤕े⤟ ⤕ा। ⤅ā¤Ŧ ā¤ļाā¤Ž ā¤šो⤤ी ā¤šै WhatsApp ⤝ू⤍िā¤ĩ⤰्⤏ि⤟ी ⤕ी ā¤Ēो⤏्⤟ ā¤Ēā¤ĸ़⤕⤰ ⤔⤰ ⤰िā¤Žो⤟ ⤖ो⤜⤤े ā¤šुā¤।

⤔⤰ ⤜ā¤Ŧ ⤟ीā¤ĩी ⤏े ⤭ी ā¤Žā¤¨ ⤊ā¤Ŧ ⤜ाā¤, ⤤ā¤Ŧ ā¤Žā¤¨ ā¤Ģि⤰ ⤉⤏ी ⤧ु⤍ ā¤Ē⤰ ⤞ौ⤟⤤ा ā¤šै –
"ā¤ĩो ā¤ļाā¤Ž ⤕ु⤛ ā¤…ā¤œीā¤Ŧ ā¤Ĩी, ⤝े ā¤ļाā¤Ž ⤭ी ā¤…ā¤œीā¤Ŧ ā¤šै..."
ā¤Ē⤰ ⤅ā¤Ŧ ā¤šā¤Ž ā¤…ā¤œीā¤Ŧ ⤕ो ⤅ā¤Ē⤍ा⤍े ⤞⤗े ā¤šैं।


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⤅ं⤤ ā¤Žें – ā¤ĩो ā¤ļाā¤Ž, ā¤šā¤° ā¤ļाā¤Ž ā¤Žें ā¤šै

ā¤šā¤° ā¤‰ā¤Ž्⤰ ⤕ी ⤅ā¤Ē⤍ी ‘ā¤ĩो ā¤ļाā¤Ž’ ā¤šो⤤ी ā¤šै।
⤕⤭ी ⤕ॉ⤞े⤜ ⤕ी ⤕ैं⤟ी⤍ ā¤Žें, ⤕⤭ी ⤏्⤟ेā¤ļ⤍ ⤕े ā¤Ē्⤞े⤟ā¤Ģा⤰्ā¤Ž ā¤Ē⤰ ⤕ि⤏ी ⤕ो ⤅⤞ā¤ĩिā¤Ļा ā¤•ā¤šā¤¤े ā¤šुā¤,
⤕⤭ी ⤍ौ⤕⤰ी ⤕े ā¤Ēā¤šā¤˛े ā¤Ļि⤍, ⤤ो ⤕⤭ी ⤰ि⤟ाā¤¯ā¤°ā¤Žें⤟ ⤕ी ⤆⤖ि⤰ी ā¤Žी⤟िं⤗ ā¤Žें।
ā¤šā¤° ā¤Ŧा⤰ ⤕ु⤛ ⤅⤧ू⤰ा, ⤕ु⤛ ā¤Ēू⤰ा... ⤔⤰ ā¤Ļि⤞ ⤏े ⤍ि⤕⤞ा ā¤ā¤• ā¤šी ⤏ु⤰ – "ā¤ĩो ā¤ļाā¤Ž..."


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⤍ो⤟: ⤅⤗⤰ ⤅⤗⤞ी ā¤Ŧा⤰ ⤕ो⤈ ⤆ā¤Ē⤕ो ⤉ā¤Ļा⤏ ā¤Ļे⤖े ⤔⤰ ā¤Ēू⤛े "⤕्⤝ा ā¤šु⤆?" ⤤ो ā¤Ŧ⤏ ā¤Žु⤏्⤕⤰ा ā¤Ļी⤜िā¤ ⤔⤰ ā¤•ā¤šिā¤ –
"⤕ु⤛ ā¤¨ā¤šीं, ā¤Ŧ⤏... ā¤ĩो ā¤ļाā¤Ž ⤝ाā¤Ļ ⤆ ā¤—ā¤ˆ..."

đŸ•¯️đŸŽļ


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Monday, July 14, 2025

āĻ­āϰা āĻĨাāĻ•

āĻ­āϰা āĻĨাāĻ•, āĻ­āϰা āĻĨাāĻ•... āϏ্āĻŽৃāϤিāϏুāϧাāϝ় āĻŦিāĻĻাāϝ়েāϰ āĻĒাāϤ্āϰāĻ–াāύি

āĻāχ āĻ—াāύāϟা āϝāĻ–āύ āĻĒ্āϰāĻĨāĻŽ āĻļুāύি, āϤāĻ–āύ āĻ িāĻ• āϝেāύ āĻ•োāĻĨা āĻĨেāĻ•ে āĻāϏে āφāĻŽাāϰ āĻ­েāϤāϰāϟা⧟ āĻĸুāĻ•ে āĻĒ⧜ে। āĻŽāύে āφāĻ›ে, ⧧⧝⧝⧭ āϏাāϞেāϰ āĻ•āĻĨা। āφāĻŽাāĻĻেāϰ āϏāĻšāĻ•āϰ্āĻŽী āĻĻীāĻĒāĻ•েāϰ āĻŦিāĻĻাāϝ় āϏংāĻŦāϰ্āϧāύা āϚāϞāĻ›িāϞ āĻ…āĻĢিāϏে। āĻŦিāĻĻা⧟েāϰ āĻŽুāĻšূāϰ্āϤ āĻāĻŽāύিāϤেāχ āĻāĻ•āϟু āĻ—ুāĻŽোāϟ āĻšā§Ÿে āĻĨাāĻ•ে। āĻšাāϏি-āĻŽāϜাāϰ āĻ†ā§œাāϞে āĻ•োāĻĨাāĻ“ āĻāĻ•āϟা āĻšাāϞāĻ•া āĻŦিāώাāĻĻেāϰ āϏুāϰ āϞুāĻ•ি⧟ে āĻĨাāĻ•ে।

āĻ•িāύ্āϤু āϏেāĻĻিāύ, āĻĻীāĻĒāĻ• āĻšāĻ াā§Ž āĻ—ে⧟ে āωāĻ āϞ—"āĻ­āϰা āĻĨাāĻ•, āĻ­āϰা āĻĨাāĻ• āϏ্āĻŽৃāϤিāϏুāϧাāϝ় āĻŦিāĻĻাāϝ়েāϰ āĻĒাāϤ্āϰāĻ–াāύি..."

āφāĻŽাāϰ āĻŽāύে āĻšā§Ÿ, āĻ“āχ āĻŽুāĻšূāϰ্āϤেāχ āĻ—াāύāϟা āφāĻŽাāϰ āύিāϜেāϰ āĻšā§Ÿে āĻ—েāϞ। āĻĻীāĻĒāĻ•েāϰ āĻ—āϞাāϰ āĻŽāϧ্āϝে āĻ•োāύো āĻĒেāĻļাāĻĻাāϰি āĻ›িāϞ āύা, āϤāĻŦুāĻ“ āϝেāύ āĻāĻ•āϰাāĻļ āφāĻŦেāĻ— āφāϰ āφāύ্āϤāϰিāĻ•āϤা āĻŽিāĻļে āĻ—ি⧟েāĻ›িāϞ। āĻ“āϰ āĻ•āĻŖ্āĻ ে āĻ—াāύāϟাāϰ āϝে āφāĻŦেāĻĻāύ āĻ›িāϞ, āϏেāϟা āύিāĻ–ুঁāϤ āĻ—া⧟āύ āĻĻি⧟ে āĻŦোāĻাāύো āϝাāĻŦে āύা। āϏেāϟা āĻ›িāϞ āĻšৃāĻĻ⧟েāϰ āϏুāϰ।

āϏেāχ āĻ—াāύāϟা āϝেāύ āĻŦāϞāĻ›িāϞ—āĻŦিāĻĻা⧟ āĻŽাāύেāχ āĻĢাঁāĻ•া āĻ•িāĻ›ু āύ⧟, āĻŦāϰং āϝা āĻ•িāĻ›ু āĻĒেāϝ়েāĻ›ি āϏেāχāϏāĻŦ āϏ্āĻŽৃāϤিāϰ āϏুāϧাāϝ় āĻ“āχ āĻļূāύ্āϝāϤা āĻ­āϰে āϤোāϞাāχ āϤো āφāϏāϞ āωāĻĻ্āĻĻেāĻļ্āϝ। āĻ—াāύāϟা āϝেāύ āĻ…āύুāϰোāϧ āĻ•āϰāĻ›িāϞ, “āϚāϞে āϝাāϚ্āĻ›ি āĻ িāĻ•āχ, āĻ•িāύ্āϤু āĻŽāύে āϰাāĻ–িāϏ, āϏāĻŽā§ŸāϟুāĻ•ু āϝেāύ āĻĢেāϞে āĻĻিāϏ āύা… āϏেāϟা āϝেāύ āĻ­াāϞোāĻŦাāϏা āφāϰ āϏ্āύেāĻšে āĻ­āϰে āĻĨাāĻ•ে।”

āϏেāĻĻিāύ āĻ…āĻĢিāϏ āĻĨেāĻ•ে āĻĢেāϰাāϰ āĻĒāĻĨে, āĻ—ā§œি⧟াāĻšাāϟে āĻ—ি⧟ে āĻ•িāύে āĻĢেāϞāϞাāĻŽ āĻĻেāĻŦāĻŦ্āϰāϤ āĻŦিāĻļ্āĻŦাāϏেāϰ āϰāĻŦীāύ্āĻĻ্āϰāϏāĻ™্āĻ—ীāϤেāϰ āĻāĻ•āϟা āĻ•্āϝাāϏেāϟ। āĻ–ুāĻŦ āχāϚ্āĻ›া āĻ›িāϞ āφāĻŦাāϰ āĻļুāύāĻŦ āĻ“āχ āĻ—াāύāϟা—āĻļুāϧু āĻļ্āϰুāϤিāϰ āϜāύ্āϝ āύāϝ়, āĻ…āύুāĻ­āĻŦেāϰ āϜāύ্āϝ।

āφāϜāĻ“ āĻŽাāĻে āĻŽাāĻে āĻ—াāύāϟা āĻļুāύি। āĻŦ⧟āϏেāϰ āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āϜীāĻŦāύেāϰ āĻ…āĻ­িāϜ্āĻžāϤা āĻŦা⧜ে, āϜা⧟āĻ—া āĻĒাāϞ্āϟা⧟, āĻŽাāύুāώ āφāϏে āϝা⧟, āĻ•িāύ্āϤু āĻāχ āĻ—াāύāϟা āĻĨেāĻ•ে āϝা⧟, āĻāĻ•āχāϰāĻ•āĻŽ āĻ­াāĻŦে। āĻŦাāϰāĻŦাāϰ āĻŽāύে āĻ•āϰি⧟ে āĻĻে⧟—āϜীāĻŦāύে āĻĒাāĻ“ā§Ÿা-āύা-āĻĒাāĻ“ā§Ÿাāϰ āĻšিāϏেāĻŦেāϰ āĻŦাāχāϰে, āĻ•িāĻ›ু āĻŽুāĻšূāϰ্āϤāχ āφāϏāϞে āφāĻŽাāĻĻেāϰ āĻ­েāϤāϰāϟা āĻ­āϰি⧟ে āĻĻে⧟।

āĻāĻ–āύ āϝāĻ–āύ āĻ—াāύāϟা āĻļুāύি, āĻāĻ•া āĻŦāϏে, āϚোāĻ– āĻŦāύ্āϧ āĻ•āϰে—āϤāĻ–āύ āĻŽāύে āĻšā§Ÿ, āϜীāĻŦāύেāϰ āĻāϤāĻ—ুāϞো āĻŦāĻ›āϰ āĻĒেāϰি⧟ে āĻāϏেāĻ“ āĻ•িāĻ›ু āĻ•āĻĨা āĻ িāĻ• āφāĻ—েāϰ āĻŽāϤোāχ āϏāϤ্āϝি।
"āĻ­āϰা āĻĨাāĻ•, āĻ­āϰা āĻĨাāĻ•..."—āĻāχ āϞাāχāύāϟা āϝেāύ āύিāϜেāϰ āĻŽāύāĻ•েāχ āĻŦোāĻাāύো, āϝেāύ āύিāϜেāĻ•ে āĻŦāϞা—āϏāĻŦ āĻ•িāĻ›ু āĻšā§ŸāϤো āϰোāϜ āĻĒাāĻ“ā§Ÿা āϝাāĻŦে āύা, āĻ•িāύ্āϤু āĻšৃāĻĻ⧟āϟা āϝেāύ āĻ–াāϞি āύা āĻšā§Ÿ।

āĻāĻ–āύ āĻŦুāĻি, āĻ—াāύāϟা āϏেāĻĻিāύ āĻļুāϧু āĻĻীāĻĒāĻ•েāϰ āĻŦিāĻĻা⧟েāϰ āĻ—াāύ āĻ›িāϞ āύা। āϏেāϟাāĻ“ āĻ›িāϞ, āĻ•িāύ্āϤু āϤাāϰ āĻŦাāχāϰেāĻ“ āĻāϟা āĻ›িāϞ āĻāĻ•āϟা āϜীāĻŦāύāĻĻāϰ্āĻļāύ। āϝেāĻ•োāύো āĻŦিāϚ্āĻ›েāĻĻ, āϝেāĻ•োāύো āϏāĻŽাāĻĒ্āϤি—āϤা āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻšোāĻ• āĻŦা āĻĒেāĻļাāĻ—āϤ—āϤাāĻ•ে āϝāĻĻি āφāĻŽāϰা āϏ্āĻŽৃāϤিāϰ āϏুāϧা⧟ āĻ­āϰāϤে āĻĒাāϰি, āϤাāĻšāϞে āĻļূāύ্āϝāϤা āφāϰ āύিঃāϏāĻ™্āĻ—āϤা āĻ•িāĻ›ুāϟা āĻšāϞেāĻ“ āϏাāύ্āϤ্āĻŦāύা āĻĒা⧟।

āφāĻŽāϰা āϏāĻŦাāχ āϚুāĻĒিāϚুāĻĒি āĻāĻŽāύ āĻ•িāĻ›ু āϰেāĻ–ে āϝেāϤে āϚাāχ āϝা āφāĻŽাāĻĻেāϰ āϚāϞে āϝাāĻ“ā§Ÿাāϰ āĻĒāϰেāĻ“ āĻĨেāĻ•ে āϝাāĻŦে। āĻšā§ŸāϤো āĻ•েāω āĻŽāύে āĻ•āϰে āĻŦāϞāĻŦে, “āĻ“āϰ āϏāĻ™্āĻ—ে āĻ•াāϟাāύো āĻĻিāύāĻ—ুāϞো āĻ­ুāϞāĻŦ āύা…” āϏেāχ āĻŦাāĻ•্āϝāϟাāχ āϤো āφāϏāϞ āϏাāϰ্āĻĨāĻ•āϤা।

āφāϰ āϤাāχ āφāϜāĻ“, āĻŦিāĻĻা⧟ āĻŦāϞাāϰ āϏāĻŽā§Ÿ āĻŽāύে āĻŽāύে āĻ—ে⧟ে āĻĢেāϞি—
"āĻ­āϰা āĻĨাāĻ•, āĻ­āϰা āĻĨাāĻ• āϏ্āĻŽৃāϤিāϏুāϧাāϝ় āĻŦিāĻĻাāϝ়েāϰ āĻĒাāϤ্āϰāĻ–াāύি..."

āϏāĻŽāϰেāύ্āĻĻ্āϰ āύাāĻĨ āϰা⧟


Friday, July 11, 2025

Golfer, Ghosts & Glamour – A Changi Confession



đŸŽŦ Golfer, Ghosts & Glamour – A Changi Confession

Changi Airport, Singapore — the unofficial United Nations of layovers. I was marooned at Gate C34 thanks to a mysterious "technical delay" that airlines announce with the same expression you'd use for a missing umbrella. My wife, Madhuri, had drifted away into the glittery forest of duty-free stores. Perfume testers, scarves, ceramic mugs—anything but what we actually needed.

I settled down with a kopi o kosong and opened my Desh magazine. That’s when he entered my life—like a character in one of my short stories who doesn't knock, just appears and makes the story move.

A slim young man with a disheveled man-bun, red-rimmed glasses, and a T-shirt that read “Make Cinema, Not Excuses” flopped beside me with dramatic exhaustion. He held a Starbucks cup and a laptop covered with festival stickers like Dhaka Shorts ’22 and Cannes Rejects Anonymous.

“Bengali, sir?” he asked, eyeing the Desh.

I nodded. He smiled. And with that, my peaceful layover morphed into a pitch meeting.


đŸŽĨ Dipak the Dreamer

His name was Dipak, but he preferred “D. Sen.”

“Short, punchy, like Ray or Nolan,” he said. “You must become a brand, sir, before the world gives you a budget.”

He was returning from Singapore, triumphantly clasping a verbal promise of ₹20 lakhs from two IT engineers with deep pockets and shallow cinema knowledge.

“Once I have 40, I start shooting,” he beamed. “It’s a noir-thriller. Bit of ghost, bit of revenge, social commentary woven in. Set in Kolkata. Very rain-washed. Monochrome filters. And one slow Rabindra Sangeet track played on saxophone.”

He spoke like he was already walking the red carpet.

I felt the itch, that secret fantasy of mine—that one of my short stories would one day leap onto the silver screen. I casually mentioned I’d written a few.

He pounced.

“Sir! Let me use one of them. As a flashback. A pivotal incident! I’ll montage it like Nolan but rooted. Grounded. Bengali.”

I leaned in. “If I pitch in with ₹5 lakhs, what do I get?”

He looked around dramatically and whispered like a man offering a banned substance.

“If your funds are a little… ahem… grey, we’ll return it shiny and white. Also, I’ll cast you. Or better—your whole golf group! I'll write a golf scene into the script. Like Srijit did in Zulfiqar.”


đŸŽŦ Bengali Bollywood Budgeting

I was curious.

“Hero? Heroine? Who’s acting in this?”

He sipped his latte. “Sir, these days heroes pay to become heroes. I know a couple of rich Bengali kids with six-packs and no jobs.”

“Heroine?”

“Modeling girls. Very camera-friendly. Also pitching in.”

“Character actors?”

“Faded TV stars. 2,000–3,000 rupees per day. They just want work and fish cutlets.”

“Crew? Lights? Sound? Editing?”

He shrugged, smiling. “Sir, the industry’s starving. Crews are sitting idle. You offer chai and a meal, they’ll shoot a dream sequence at midnight.”

“And special effects?”

“I’ve got a friend in Bangalore. IT guy. Worked on a Hollywood VFX project. He made a pigeon explode for a Malayalam movie. He’ll help with my ghost golf ball.”


đŸĻ¸ Then Came Malegaon

I raised an eyebrow. “You sound confident. But do you really think people will watch this?”

He lit up. “Sir! Have you seen Supermen of Malegaon?”

“Of course! Those Malegaon boys made a Superman parody using bamboo sticks and dupattas.”

He slapped the table with joy, almost spilling his coffee.

“Exactly, sir! No training, no studio, no nothing—just dreams. They made magic with mosquito nets and car horns. If they could make people laugh and cry with one lakh, then why can’t I make a noir ghost thriller with forty?”

He leaned in like a director giving a final shot instruction:
“Sir, Malegaon gave us hope. I have WiFi, passion, and a VFX guy. What else do I need?”

I said, “Luck. And maybe another ₹15 lakhs.”

He nodded solemnly. “That too.”


đŸ§ŗ Back to Reality

Just then, Madhuri returned with a bag of suspiciously expensive Singaporean biscuits and that all-knowing look wives carry like a handbag.

“Who’s this?” she asked.

“Just someone I met,” I said coolly. “He was explaining GST.”

She squinted. Dipak faded away like a skilled junior artist, blending into the crowd near the noodle counter.


đŸ•ŗ️ Epilogue: Or Was It a Prologue?

Back home, a WhatsApp popped up from an unknown number: a digital poster that read:

đŸŽŦ Ghorer Bhut Golf Khele
A noir thriller by D. Sen
Starring Raja Roy as “The Swinging Spirit”
Coming soon (pending funding)

I showed it to my golfing buddies—Jaggi, Sikka, Paul. They laughed for five minutes straight. Then Paul leaned over and said,

“Oye Roy, you think they’ll cast me as the caddy ghost if I pitch in ten lakhs?”

Ah, cinema dreams. Once it bites, even spirits start queuing for auditions.