Friday, January 23, 2026

The Brass Lamp of Bagha Beach

The Brass Lamp of Baga Beach
Raman had promised his family Goa.

For a lower middle-class clerk from Nagpur, a promise like that was not made lightly. It was born on a sweaty summer night, whispered to his wife Meena as their children slept on the floor mattress—twelve-year-old Rishi sprawled like a starfish, and eight-year-old Ananya clutching her doll. Raman had no savings worth the name, but he had resolve, and a habit of honouring his word.

They travelled by overnight bus, knees jammed, tempers frayed, the children oscillating between excitement and nausea. By dawn, Goa greeted them with palm trees, salt-laden air, and the roar of the Arabian Sea. Raman found a cheap lodge—peeling paint, a reluctant ceiling fan, but clean sheets and a balcony from where one could hear waves arguing with the shore.

The first morning, they went to the beach early, before the tourists woke and before the sun turned cruel. The sand was cool, damp, and dotted with fishermen hauling nets that shimmered like silver lace. Raman waded into the water to rinse his feet when he noticed a middle-aged man struggling waist-deep in the surf.

The man was stout, moustached, and clearly unused to the sea. His wife stood anxiously at a distance, shouting instructions that the waves ignored.

Raman hurried over, held the man steady, and guided him through the ritual of dipping, splashing, and retreating before the next wave struck. The man emerged breathless but triumphant.

“Ram Ram sa,” he said, folding his hands. “I am Banwari Lal, from Rajasthan. The sea is more aggressive than our desert winds.”

Raman smiled. “The sea has moods, sahib. You just met a bad one.”

Banwari Lal laughed, a deep, prosperous laugh, the kind that came from full stomachs and successful deals. He introduced his wife and called out to his servant, Viru—a lean, sharp-eyed man in his thirties, who soon struck up an easy conversation with Raman over coconut water.

Viru had the rare talent of making friends without trying. He admired Raman for bringing his family by bus; Raman admired Viru for his fearless dive into the waves. By the end of the morning, they were exchanging hotel names and dinner plans.

That evening, Banwari Lal mentioned something curious. During a stroll through the Mapusa flea market, he had bought an old brass lamp from a toothless antique seller.

“Pure junk,” his wife sniffed.

“Or pure luck,” Banwari Lal said cryptically.

The lamp was unmistakable—long-spouted, round-bellied, etched with fading Arabic patterns, darkened by age and neglect. It looked like it had escaped straight from an illustration of Aladdin.

The next morning, Viru came running to Raman’s lodge, breathless and pale.

“Babuji is missing,” he said. “Since dawn. His phone is off. His room untouched.”

He clutched the brass lamp like a child holding a relic.

Raman frowned. “Where did you get this?”

“Last night,” Viru said. “Babuji was polishing it, rubbing it again and again, joking about wishes. He told me to keep it safe. Now he is gone.”

They went straight to the police station, where Detective Miranda listened in silence.

Miranda was portly, calm, and permanently accompanied by a pipe that never seemed fully lit yet always smelled faintly of tobacco. He had the heavy-lidded eyes and patient stillness of a man who believed crimes confessed themselves if given enough time. If Georges Simenon’s Maigret had been reborn in Goa, he would have looked exactly like Miranda—minus the French accent, replaced instead by a soft Konkani lilt.

Beside him sat Sophia, his assistant—sharp, efficient, notebook always open, pen moving even when no one seemed to be speaking. She recorded coughs, pauses, and raised eyebrows with equal seriousness.

“A missing businessman,” Miranda said slowly. “A lamp. And a beach. Goa never disappoints.”

Two days passed. Banwari Lal did not surface.

Miranda visited Banwari Lal’s hotel, examined the room, and asked for the lamp. Something about it bothered him—the excessive polishing marks, the reverence with which Viru handled it.

“This lamp,” Miranda said, tapping it gently with his pipe, “has seen more than it admits.”

He took it to his office and asked Constable Ghorpade to guard it.

The next morning, Miranda nearly dropped his pipe.

A Marwari gentleman sat calmly across his desk, sipping tea.

“I am Banwari Lal,” the man said.

Sophia entered just then. “Sir, Constable Ghorpade is missing. Night duty. Lamp intact.”

Miranda stared at the lamp. Then at Banwari Lal. Then at the empty chair where Ghorpade should have been guarding the lamp.

The dots aligned.

Miranda leaned forward. “Tell me,” he said gently, “how many wishes did you ask for?”

Banwari Lal’s shoulders sagged.

He spoke of greed disguised as curiosity. Of wishes for wealth, then power, then immortality. Of how the lamp had warned him—twice only. The third wish had reversed the bargain. The genie had walked free, and Banwari Lal had been trapped inside the brass prison.

“Ghorpade rubbed it,” he whispered. “He wished.”

Miranda nodded. “And became what you were.”

He leaned back, exhaled a slow ribbon of smoke, and looked at Sophia.

“Now tell me,” he said, “how does one rescue a constable who is currently a supernatural civil servant trapped inside antique brass?”

Sophia did not look up from her notebook. “Sir, as per procedure, we cannot issue a missing person notice for someone who is technically not a person at the moment.”

Miranda sighed. “Goa Police manuals are very limited in imagination.”

She finally looked up. “However, we do have assets.”

Miranda raised an eyebrow. “If you say budget, I will retire today.”

“Salim,” Sophia said calmly.

Miranda stopped mid-puff. “The serial killer Salim?”

“Yes, sir. The one who enjoys bargaining, believes he is smarter than destiny, and has already filed six mercy petitions.”

Miranda smiled faintly. “And costs the exchequer how much per year?”

Sophia flipped a page. “Enough to fund three police jeeps, one monsoon bridge repair, and your pipe tobacco for life.”

Miranda nodded approvingly. “Excellent. Tempt him.”

“With the lamp?”

“With greed,” Miranda corrected. “The lamp is only the delivery system.”

Sophia allowed herself a rare smile. “We tell Salim that rubbing the lamp grants wishes. We supervise. Two wishes allowed.”

“And the third?” Miranda asked.

“He will insist,” Sophia said. “They always do.”

Miranda chuckled. “Criminal psychology is wonderfully predictable.”

The plan worked with embarrassing ease.

Salim rubbed the lamp, wished for power, then freedom. The third wish escaped before Miranda could even light his pipe.

By evening, Constable Ghorpade was back—confused, hungry, and requesting leave.

The lamp sat quietly on the table.

Sophia closed her notebook. “Case resolved. One constable recovered. One trial saved. Budget balanced.”

Miranda tapped the lamp gently. “Justice,” he said, “sometimes needs imagination.”

Banwari Lal left the lamp behind.

Later that evening, Raman received a parcel at his lodge—an envelope thick with cash and a note:

For keeping promises, even to your family. —B.L.

Raman looked at the sea that night, held Meena’s hand, and felt content.

Some promises, he realised, were better than wishes.


Saturday, January 17, 2026

Between two lives




---

Between Two Lives
I was nursing a cup of bitter airport coffee at Changi, watching the quiet efficiency of the world pass by—travelers moving with purpose, announcements gliding through the air like practiced apologies—when the man approached me.

He hesitated first. Then, noticing my passport lying open on the table, he asked softly,
“Sir… are you from India?”

There was something in his voice—neither confidence nor desperation, but a cautious hope. I nodded.

“My name is Ramu,” he said, lowering himself into the chair opposite me without waiting for permission. “I don’t know why, but I felt I should speak to you.”

He looked ordinary in every way—thin, sun-darkened skin, cheap sandals, a shirt ironed too many times. The kind of man whose life passes unnoticed unless it collapses entirely.

Only then did I notice the men sitting a little distance away. They weren’t watching us openly, but their eyes returned to Ramu often enough. Guards—not uniformed, but unmistakable.

Ramu followed my gaze and gave a faint smile.
“They are with me,” he said. “Or maybe I am with them.”

After a pause, words spilled out—not dramatically, but like water escaping a cracked pot.

He was poor. From Bihar. His wife worked as a maid in Patna, leaving home before sunrise, returning after dark. Two children—one in school, one too young to understand why milk had become occasional instead of daily. Debt sat on his chest like a stone.

Then came the proposal.

Eighty lakhs.

All travel paid. Hospital expenses covered. A small shop promised once he returned. Enough, he said, to turn survival into dignity.

“I am selling my kidney,” he said plainly, as if stating a train schedule.

The recipient—a wealthy man from another country—was traveling with him. Life and death, sitting side by side in business class, divided by money and biology. The surgery would happen somewhere in Southeast Asia, where questions were fewer and paperwork lighter.

“In India,” Ramu said, “they ask too many questions. Relative, blood group, family consent. Here… they only ask for payment.”

I knew this. We all do. I had seen cases where relatives donated kidneys, acts of quiet heroism that never reached newspapers. I had also read about darker stories—men kidnapped, drugged, waking up with scars and silence.

This, at least, was consent. Compelled consent—but consent all the same.

During the long layover, while the others slept stretched across airport chairs, Ramu slipped away. Fear had finally reached him.

“What if I don’t wake up?” he whispered.
“What if my children grow up without a father?”

His ticket and passport were not with him. They were “kept safe” by the party arranging everything. Safe—from escape.

“I need the money,” he said. “But I am afraid, sir. You are educated. You have seen the world. Tell me—what should I do?”

That question landed on me like a burden I had no right to carry.

What advice could I give?

To walk away would mean returning to debt, hunger, humiliation.
To go ahead meant gambling with his body so others could keep theirs intact.

I told him gently what I knew—that one kidney can sustain a life, that many live normally after donation. I also told him the truth—that risk never asks permission, and exploitation rarely wears a villain’s face.

He listened quietly.

“I don’t blame them,” he said suddenly, surprising me.
“The man who needs my kidney… he is also fighting death. For him, this is the only way. For me, this is also the only way.”

Life, it seemed, had created a marketplace where desperation met desperation, only the currency was flesh.

The guards eventually noticed his absence. They came. There was no violence, no shouting. Just firm hands, practiced smiles, inevitability.

Before leaving, Ramu turned once more.

“If my children can study,” he said, “if my wife doesn’t have to scrub other people’s floors forever… then maybe this kidney will have lived a better life in another body.”

He was taken away.

I finished my coffee long after it had gone cold.

At an airport where millions pass each day chasing comfort, ambition, or escape, two lives had intersected briefly—one buying time, the other selling a part of himself to purchase hope.

We often speak of the sanctity of the human body. But poverty, I realized, has a way of rewriting moral codes. When survival is at stake, ethics become negotiable, and the line between victim and participant blurs.

Perhaps the real tragedy is not that kidneys are sold—but that a world exists where a man must sell a piece of himself so his family can remain whole.

And somewhere between law and compassion, between life saved and life risked, the question remains unanswered:
Is this commerce—or sacrifice?

Friday, January 09, 2026

Sanghamitra: Daughter of the Bodhi Tree



Sanghamitrā: Daughter of the Bodhi Tree

The palace gardens of Pāṭaliputra rustled with birdsong. Young Sanghamitrā often slipped away from her attendants to sit beneath a wide peepal tree, tracing her fingers across its bark. She would whisper to the leaves, “Why do you give shade without asking anything in return?” Nature answered her in silence, and she learned its lesson of patience.

But the palace no longer rang with laughter. The Kalinga war had ended, leaving behind not triumph but ashes. Emperor Aśoka, once called Chandashoka—fierce Aśoka—walked the halls with restless eyes.

One evening Sanghamitrā found him by the lotus pond, his sword rusting at his side.

“Father,” she asked softly, “why do you no longer dine with us? Why do you stare so at the ground?”

Aśoka’s voice was hollow.
“Child, I have seen too much blood. The cries of mothers and children follow me even in sleep. What is an empire worth, if it is built on suffering?”

“Then let the empire be built on healing,” Sanghamitrā said, her young face glowing with conviction. “Like the trees heal with their shade. Teach the people another way.”

Aśoka looked at her, startled at the wisdom in her words. “Perhaps the Buddha’s path of Dharma is the only way left for me,” he whispered.


Years later, Sanghamitrā watched her elder brother Mahinda depart for Sri Lanka to spread the Buddha’s teaching. She too felt a stirring, as though the island called her name. One evening she approached her father.

“Father, if Mahinda can carry the message of the Buddha, so can I. But I wish to plant not just words—a living symbol.”

Aśoka raised his brows. “You mean the Bodhi tree, the very tree under which the Buddha awakened?”

“Yes,” she said, her eyes bright. “A branch from that tree. If it thrives in Lanka’s soil, the people will know that Dharma cannot be uprooted.”


The voyage began under a clear sky. The Bodhi sapling, wrapped in silk and earth, was placed at the center of the ship as if it were a king. Sanghamitrā, now a nun in saffron robes, sailed with eleven companions.

But the sea turned dark. Storm winds rose, waves crashed like walls of black glass. Sailors clung to the mast, crying out in fear.

“The sea spirits are angry—we will sink!” one shouted.

Sanghamitrā stood firm, her hands on the Bodhi sapling. “If this tree lives, the Dharma will live. Fear not. Even the storm must bow to truth.”

She began to chant verses of the Buddha. Her voice, steady against thunder, calmed the hearts around her. By dawn, the storm had passed, leaving the sea a silver mirror.


At Anuradhapura, King Devanampiya Tissa and his queen awaited her arrival. Drums rolled as the Bodhi sapling was carried ashore. The queen clasped Sanghamitrā’s hand.

“From today,” she said, “you are my sister.”

But not all were pleased. Somadeva, the Brahmin priest of the court, whispered to the king, “Do not let a foreign woman rule your soul. She will steal your throne of faith.”

A tribal chief named Kurung, famed for his “mystical powers,” joined in. “Our spirits bow to no foreign tree,” he sneered, shaking a talisman of bones.

Yet the queen stood resolute. “This woman brings no weapons, only service. Let us judge her by deeds, not fear.”


Sanghamitrā did not answer with sermons. She and her nuns tended to the sick, washed the wounds of beggars, and fed hungry children. Word spread: The lady in saffron heals without asking for gold. She serves without pride.

One day the king, disguised, went among his people. He saw Sanghamitrā kneeling by a leper, washing his sores with her bare hands.

Returning to the palace, he told the queen, “I saw no goddess today, only a woman who chose to be less than all, so that all may rise. Her soul is selfless.”


When the Bodhi tree was finally planted at Anuradhapura, Somadeva scoffed, “It will wither.”

But the sapling grew, its leaves rustling like whispered prayers. Even Kurung, the tribal chief, bowed at its roots.

Thus Sanghamitrā was no longer just Aśoka’s daughter. She became the Mother of the Bhikkhunī Order in Lanka, remembered for planting both a tree and a way of life that gave shade to generations.

And under its branches, people would tell their children: “Once, a woman crossed the sea, carrying a tree in her heart. That is why we live in Dharma’s shade today.”




---


Footnote




Sanghamitra was the daughter of Emperor Ashoka and Queen Devi, renowned for her role in spreading Buddhism to Sri Lanka in the 3rd century BCE.


Early Life

Born around 282 BCE in Vidisha, she married briefly before renouncing worldly life to become a Buddhist nun, renamed Ayapali. Her brother Mahinda shared her commitment to Buddhism.


 Mission to Sri Lanka

In 252 BCE, at King Devanampiya Tissa's request, Ashoka sent Sanghamitra with a Bodhi tree sapling, which she planted in Anuradhapura. She converted royal women, established a nunnery, and trained nuns.


 Legacy

Sanghamitra dedicated her life to proselytizing among women, dying around 203 BCE; the Sri Lankan king honored her with personal funeral rites. The Bodhi tree remains a sacred site.



Friday, January 02, 2026

Why Ghosts Never Leave Our Homes-or Our Minds

H --- ## **Why Ghosts Never Leave Our Homes—or Our Minds**
The thought crossed my mind while watching the film *There Is a Ghost in Our House*. It was not fear that lingered after the screen went dark, but familiarity. A quiet recognition—as if the idea of a ghost was never foreign to us. It has always existed, silently occupying a corner of human consciousness. From there, my mind drifted, as it often does, to my all-time favourite ghost film—*Ghost* (1990). Not for its special effects, but for its emotional depth. Love that refuses to dissolve with death. Memory that refuses to fade. And of course, **“Unchained Melody”**—a song that seems to float between two worlds. When it plays, one does not think of fear; one thinks of longing. Of bonds that death cannot neatly sever. Indian cinema understood this truth much earlier. Long before Hollywood romanticised spirits, Hindi films explored ghosts as carriers of **memory, justice, and unfinished destiny**. *Mahal* (1949), with Ashok Kumar and Madhubala, remains etched in the collective psyche—not because it frightened audiences, but because it mesmerised them. The dim corridors, echoing footsteps, and that unforgettable boat scene where the past seems to glide silently into the present. The song *“Aayega Aanewala”* does not announce a ghost; it summons inevitability. Then came *Madhumati* (1958). Vyjayanthimala’s character returns not merely as a ghost, but as a force of moral reckoning. Wronged in one lifetime, justice eludes her until another. Here, reincarnation and revenge merge seamlessly. The ghost is not frightening; she is purposeful. She restores balance where life had failed. What is striking across these films—Indian or Western—is that ghosts are rarely grotesque. They are melancholic, restrained, even dignified. They appear when something remains unresolved: love unfinished, injustice unanswered, promises broken. The ghost, then, is not an intruder, but a reminder. This universality extends far beyond cinema. Across cultures and continents, belief in ghosts persists. India speaks of *bhūts* and *prets*, Japan of *yūrei*, England of manor-house spirits, Africa of ancestral souls, and the Middle East of *jinn*. Civilisations that share nothing else—language, religion, climate—share this belief. Technology may have advanced from oil lamps to LEDs, from handwritten letters to Instagram, but this idea has remained remarkably untouched. Even great minds were not immune. Abraham Lincoln reportedly spoke of apparitions in the White House and even foresaw his own death. Winston Churchill, a man of iron resolve, once fled a room convinced he had encountered a spectral presence. Napoleon Bonaparte believed a guiding spirit accompanied him. Charles Dickens, realist and reformer, firmly believed in ghosts and claimed personal encounters. These were not timid men. They were leaders, thinkers, and rational minds of their time. Their belief suggests that ghosts are not born of fear alone, but of **humility before the unknown**. Which brings us to the inevitable question: *Are ghosts real?* The debate, perhaps, is misplaced. The question of whether ghosts exist is no different from asking whether God exists, or whether rebirth is possible. Rationalists like **Yuval Noah Harari**, armed with neuroscience, evolutionary biology, and data, will dismiss all three as stories humans tell themselves to cope with uncertainty—useful myths, perhaps, but myths nonetheless. And yet, for every such argument, millions smile back. Not in ridicule, but in quiet confidence. Because belief is not always an argument; often, it is an experience. One does not prove love before feeling it. One does not demand laboratory validation for grief, memory, or presence. Ghosts, like God or rebirth, survive precisely because they operate outside the jurisdiction of pure reason. They inhabit memory, intuition, moral order, and unresolved longing. Indian philosophy offers a calm explanation. The *Bhagavad Gita* reminds us: **“Na hanyate hanyamāne śarīre”** *The soul is not destroyed when the body is destroyed.* If the soul is eternal, then perhaps a ghost is not an aberration, but a pause—an echo when the transition is incomplete. Cinema, music, and storytelling merely give that echo a form. Whether it is Vyjayanthimala standing silently on a misty hillside, Madhubala’s voice drifting across still waters, or *Unchained Melody* playing as love transcends death, ghosts return to remind us of one simple truth: **relationships do not end neatly**. Ghosts endure because **memory endures**. They are not here to frighten us, but to whisper—of love that outlives life, of justice delayed but not denied, and of journeys that do not conclude when the curtain falls. Some debates are not meant to end. They exist to remind us that however advanced we become, the human mind still bows before mystery. And perhaps, when rational certainty laughs at belief, belief quietly laughs back—secure in the knowledge that not everything meaningful needs to be measurable. As the *Gita* gently concludes: **“Avyaktādīni bhūtāni vyakta-madhyāni bhārata”** *All beings emerge from the unmanifest and return to the unmanifest.* Between the unseen and the seen, between silence and song, ghosts—real or imagined—continue to walk with us. ---

Friday, December 26, 2025

Foot Notes to Power




---

After the Files

The Epstein files surfaced again that morning—names, counter-names, outrage neatly packaged for breakfast reading. By the time I reached the golf course, the scandal had already travelled ahead of me.

Someone mentioned it near the clubhouse. Someone else dismissed it as political theatre. The usual polarisation followed.

Rathore, my regular golf partner, said nothing until we had finished the round and settled down with tea. He had the habit of letting noise exhaust itself.

“You know,” he said finally, “people think the files created the sickness. They didn’t. They only confirmed it.”

I looked at him. “You sound unsurprised.”

“That’s because I’ve smelt it before,” he said. “Long before it had a name.”


---

“I was in Paris in 2002,” Rathore began, “when Epstein was alive but invisible. No files, no headlines. Just… arrangements.”

He spoke of a dinner with a senior multinational executive—Thomas, he called him. Polished, reasonable, persuasive in the way only people with nothing to fear can be.

“Over wine,” Rathore said, “he explained power without drama. According to him, the elite didn’t break laws. They designed lives where laws rarely intruded.”

Private retreats. Discreet hospitality. Guests who arrived without appearing to have travelled.

“At the time,” Rathore said, “I dismissed it as European arrogance.”


---

“Years later,” he continued, “on an early morning Indian Airlines flight to Delhi—Executive Class—I heard the same philosophy spoken again, though with a local accent.”

Somewhere over central India, the man beside him mentioned S.—just the initial.

“Everyone knows him,” the man said. “Even those who haven’t met him.”

S., Rathore was told, didn’t sell influence. He provided geography. Farmhouses scattered across the country, places where phones lost signal and explanations were unnecessary.

“In America,” the man said lightly, “they needed islands. In India, land was enough.”

By the time tea arrived, they were discussing cricket.


---

Rathore paused. “I saw the same pattern again near Gwalior.”

A respectable gathering. Professionals. No secrecy. Someone mentioned a piece of land outside the city.

“Neutral ground,” another said.

No one asked neutral for what.

“That’s when it became clear,” Rathore said. “This wasn’t about people. It was about design.”


---

Listening to him, my mind went back to Jeffrey Archer’s Clifton Chronicles, which I had read years earlier. There, manipulation moved effortlessly across continents, institutions, and generations. Decisions felt organic to those affected, but every outcome had been quietly positioned in advance. Nothing was illegal; nothing shouted; yet everything was engineered.

At the time, I had admired Archer’s craft while reassuring myself it was fiction.

Now, with Epstein files dominating headlines and Rathore’s recollections filling the gaps, Archer’s technique felt less imaginative and more observational.

“In Archer’s world,” I said, “manipulation didn’t shout. It arranged the room so the outcome was unavoidable.”

Rathore nodded. “Exactly. Power never pushes. It positions.”


---

The clubhouse hummed around us. Outside, the fairway lay calm and perfectly maintained, betraying no sign of the planning beneath it.

“When the Epstein files came out,” Rathore said quietly, “people were shocked by the names. They shouldn’t have been. Names are footnotes.”

He stood up, adjusted his cap.

“Files appear late,” he said. “Systems appear early. And by the time files are debated, the system has already relocated.”

As he walked away, I realised what had been troubling me all along.

The files were not revelations.
They were confirmations.

Like an Archer plot revealed in the final chapter, the outcome seemed shocking only to those who hadn’t noticed how carefully the stage had been set.


---

Friday, December 19, 2025

"A Spooky Night at The Chalet: Where Ghosts Sip Tea and Secrets Linger in the Mist! 🍵👻"


---

The December sun bathed Darjeeling’s mall in a golden glow, its warmth a fleeting shield against the Himalayan chill that crept into your bones. A few years back, I was wandering through the bustling heart of the town, sidestepping tea hawkers and selfie-snapping tourists, when I met Thapa, a retired professor from St. Joseph’s College. With his tweed jacket, salt-and-pepper beard, and eyes that sparkled with mischief, he looked like he’d just stepped out of a lecture on Himalayan mysticism. We settled on a bench, soaking in the view of Kanchenjunga’s snow-draped peaks, and got to chatting.

I mentioned Darjeeling’s reputation for ghost stories—tales of spectral British sahibs haunting colonial bungalows, restless monks wandering ancient monasteries, and the infamous “Gray Lady” of the old Victoria Hospital, said to drift through its abandoned corridors, searching for her lost child. Thapa chuckled, adjusting his glasses. “Hope you don’t think *I’m* one of those ghosts, lurking here to haunt unsuspecting tourists.”

I grinned and gave his arm a playful nudge. “Nope, you’re too solid for a specter. Ghosts don’t carry library cards, do they? Or do they haunt the overdue fines section?”

He laughed, a deep, rumbling sound that echoed like a monastery gong. “In Darjeeling, the line between the living and the dead is thinner than a first flush tea leaf. If you’re chasing ghosts, meet me at The Chalet at 8 pm. It’s a tucked-away cafe on the winding road to the Himalayan Mountaineering Institute.”

I raised an eyebrow. “The Chalet? What’s the deal—haunted by spirits, or just hipsters in Halloween costumes year-round?”

Thapa’s smile turned cryptic, like he was sharing a secret with the mountains. “Oh, it’s a place where the past lingers like mist. Ever heard of the Lepcha legend of the ‘Shadow Walkers’? They say spirits of ancient traders roam these hills, guarding hidden treasures from the Silk Route days. Some claim The Chalet’s built on one of their old paths. Show up, and you’ll see. Bring a scarf—it gets chilly when the shadows dance.”

Intrigued and mildly spooked, I arrived at The Chalet that evening. The cafe was nestled on a lonely hillside, shrouded by towering pine trees that stood like silent sentinels, their needles whispering secrets to the night. The air carried the scent of woodsmoke and mystery, and the distant howl of a Himalayan wolf—or was it the wind?—sent a shiver down my spine. The exterior was deceptively charming, with ivy-clad walls and glowing lanterns, but stepping inside was like crossing into a gothic novel. Dim candlelight flickered, casting eerie shadows on the walls, and the low, haunting strains of organ music—straight out of a Dracula soundtrack—filled the air. The patrons didn’t help: cloaked in dark coats, wide-brimmed hats, and masks that hid all but their glinting eyes, they looked like they’d wandered in from a masquerade for the undead. Were they locals sipping Darjeeling’s finest, or apparitions nursing spectral brews? The jury was out.

Thapa waved me over to a semi-dark corner table, where the light barely reached. “You made it,” he said, handing me a leather-bound menu that creaked like an old crypt door. “No chickening out now. The ghosts here don’t take kindly to cancellations.”

I slid into the seat, scanning the room. “This place is creepier than a fog-covered tea estate. Those folks over there—coats, hats, masks—look like they’re auditioning for a ghost convention. What’s the deal, Thapa? Are we in a cafe or a portal to the underworld?”

He leaned back, smirking. “In Darjeeling, my friend, every cafe is a potential portal. You know the local lore about the ‘Mist Wraiths’? They say when the fog rolls in thick, spirits of lost trekkers wander the hills, drawn to warm places like this. Those masks? Could be fashion, could be precaution. Ghosts hate being recognized—it ruins their mystique.”

Before I could retort, a lanky waiter glided over, his black uniform blending into the shadows. “Good evening, sirs. I’m Luther,” he said, his voice smooth as moonlight on a frozen lake. “Our special tonight is the ‘Wraith’s Whisper,’ a dessert so light it might float off your plate. What’ll it be?”

I smirked. “Wraith’s Whisper? Sounds like it’ll haunt my stomach. What if it possesses my fork?”

Luther’s eyes twinkled, but his face stayed deadpan. “Sir, our forks are blessed by a lama from Ghoom Monastery. No possession guaranteed, but if it tries, we’ll banish it to the kids’ menu.” Thapa roared with laughter, and I ordered a masala chai to calm my nerves, while he opted for a black coffee—“to match the vibe,” he quipped.

As we sipped, the manager, Sebastian, strolled over—a burly man with a mustache that could hide a yeti and a voice like gravel crunching under boots. “All good here, gentlemen? No spectral disturbances?”

Thapa grinned. “Sebastian, my friend here thinks your customers are straight out of a Lepcha ghost tale. Tell him—are those masks for style, or are we dining with the Shadow Walkers?”

Sebastian’s mustache twitched with amusement. “In The Chalet, we welcome everyone—living, dead, or just here for the Wi-Fi. But if you’re worried, try our ‘Yeti Toddy.’ It’ll warm your soul, even if it’s halfway to the afterlife.”

I played along. “Yeti Toddy? Does it come with a side of abominable snowman? I’m already wondering if I’m dining with humans or the cast of a haunted tea party.”

The banter flowed like the chai, but the atmosphere thickened when the music surged and a sudden gust from an open window rattled the lanterns. One of the masked figures at the bar turned slowly, its eyes locking onto mine with an intensity that froze my blood. My pulse quickened—was this a real ghost? A Shadow Walker, perhaps, guarding some ancient treasure buried beneath the cafe? I whispered to Thapa, “Professor, that one’s staring like I owe it money. Friendly spirit, or should I start chanting the names of tea estates to ward it off?”

Thapa whispered back, “Chanting tea names? Brilliant. Try ‘Margaret’s Hope, Temi, Castleton.’ Ghosts can’t resist a good Darjeeling blend—they’ll float off in embarrassment.”

Luther reappeared with our drinks, but as he set them down, his hand seemed to shimmer *through* the steam rising from my chai—or was it the dim light playing tricks? I blinked, and he smirked. “Just the fog, sir. It loves to mess with first-timers. Or maybe I’m just that ghostly fast.”

Sebastian joined in, chuckling. “Don’t mind Luther. Last month, a tourist swore he saw a spectral yak herder at the bar. Turned out it was just Mrs. Tamang in her new shawl, sipping momos and rum.”

The tension broke when the “ghost” at the bar unmasked, revealing a young local artist in costume for an Instagram photoshoot, her eyes glinting with laughter, not malice. No Shadow Walker, just Darjeeling’s quirky charm at work. But the near-miss had us all cackling. Thapa raised his cup. “To almost-ghosts and foggy frights! Better than meeting a real Mist Wraith—they’re terrible tippers.”

I clinked my chai against his coffee. “And to Thapa, the professor who drags innocents into haunted cafes. Next time, warn me if the menu includes ‘spectral samosas’ or a side of Lepcha curses.”

Luther chimed in, balancing a tray with eerie grace. “No curses here, sir, unless you count our spicy chutney. That’ll haunt you till dawn.”

Sebastian clapped me on the shoulder. “Come back tomorrow. We’re hosting a ‘Ghosts of Darjeeling’ storytelling night. You might hear about the Phantom Rickshaw of Chowrasta or the Singing Monk of Observatory Hill. Bring your friend—he’s got a knack for spotting spirits.”

As we stepped out into the starry night, the pine trees rustling like they were applauding our survival, I felt the thrill of a memorable adventure. The Chalet hadn’t been truly haunted, but between the foggy folklore, the masked patrons, and Thapa’s wicked wit, it was the closest I’d come to dining with Darjeeling’s legendary spirits. The town’s tales—of Shadow Walkers, Mist Wraiths, and ghostly sahibs—lingered in my mind, as did the warmth of that chai and the laughter that echoed louder than any ghostly moan. I turned to Thapa. “Next time, professor, I’m picking the cafe. Somewhere with less... otherworldly ambiance.”

He winked. “Good luck. In Darjeeling, even the tea leaves have ghosts.”


Saturday, December 13, 2025

বাংলা 1 লেট নাইট শো

**বাংলা১ লেট-নাইট শো: “রাতের সঙ্গী” – নন্তুর সঙ্গে** 
*(রাত ১২টা থেকে ভোর ৩টে – কলকাতা, ১৪ ডিসেম্বর ২০২৫)*
*[স্টুডিওর মৃদু আলো। জানালার বাইরে হুগলি হলদে আলোয় ঝিকমিক করছে। দূরে এসপ্ল্যানেডের কাছে শেষ ট্রামের টুংটাং শোনা যাচ্ছে। শো শুরু হয় রবীন্দ্রসংগীতের মৃদু সুরে…]*

**নন্তু** (গভীর, মখমলের মতো গলা, ধীরে, প্রায় ফিসফিস করে):  
আকাশ ভরা সূর্য-তারা…  
গুড ইভনিং, কলকাতা। এটা তোমাদের নন্তু, বাংলা১-এর রাতের সঙ্গী। রাত অনেক হয়ে গেছে, ট্রামের শেষ ঘণ্টাও বেজে গেছে, কিন্তু তোমরা জেগে আছ। আমার সঙ্গে জেগে থাকো।  
আজ রাতে আমরা একসঙ্গে মোমোর  খেয়ে, বিরিয়ানির গন্ধ নিয়ে, রোল চিবিয়ে… আর সল্ট লেক স্টেডিয়ামে মেসিকে ঠিকঠাক দেখতে না পাওয়ার এই কালেক্টিভ হার্টব্রেক নিয়ে কথা বলব।  
ফোন লাইন খোলা আছে। ডায়াল করো। কী বলবে?  

*[সুর মিলিয়ে যায় নীরবতায়। প্রথম কলার আসে।]*

**কলার ১ – রাজু, সুইগি ডেলিভারি বয়** (হাঁপাচ্ছে একটু, পেছনে বাইকের ইঞ্জিনের শব্দ):  
দাদা, লাস্ট ডেলিভারি শেষ করে এলাম কলেজ স্ট্রিটে। একটা চিকেন বিরিয়ানি এসপ্ল্যানেড থেকে পার্ক সার্কাস… এখন রাত দুটো, পেটে ছুটছুট আওয়াজ করছে।  

**নন্তু** (মৃদু হেসে):  
আরে রাজু ভাই, বিরিয়ানি ডেলিভার করে নিজে বিরিয়ানি খাসনি? এটা তো অন্যায়!  
বলো, আজ রাতের মুড কী? ফুটবল নিয়ে দুঃখ, না সল্ট লেকের বিশৃঙ্খলা নিয়ে ফ্রাস্ট্রেশন?  

**রাজু**:  
দাদা, মেসি… সল্ট লেকে এসে গেল, কিন্তু আমরা ঠিকঠাক দেখতেই পেলাম না। বাইরে দাঁড়িয়ে হ্যাশট্যাগ দিয়ে মরছি, আর ভিতরের লোকেরাও বোতল ছুঁড়ছে।  

**নন্তু**:  
হ্যাঁ রে, পুরো কলকাতা একটা কালেক্টিভ হার্টব্রেকে ডুবে গেছে – আবার একবার। কিন্তু জানিস রাজু, মেসি চলে গেছে, কিন্তু তোদের মতো ডেলিভারি বয়রা রাতের কলকাতাকে বাঁচিয়ে রেখেছে। তুই হিরো।  
শোন, তোর জন্য একটা গান… প্রতি রাতে বাইকে ১০০ মাইল দৌড়নোর জন্য।  

*[বাজে: “100 Miles” – ইংরেজি গান, সফট রক ভাইব]*  

**নন্তু** (গানের পর):  
রাজু, এখন বিরিয়ানি খেয়ে ঘুমিয়ে পড়। ডেলিভারি শেষ, রাত শেষ না… কিন্তু তোর শিফট শেষ। গুড নাইট, হিরো।  

*[পরের কলার]*

**কলার ২ – রিনা, বেহালার গৃহিণী** (গলা কাঁপা, রাগী ফিসফিস):  
নন্তু-দা, ও আবার ড্রিঙ্ক করে বেরিয়ে গেছে। রোজকার রোজকার… এখন রাত তিনটে, ঘরে নেই। বাচ্চারা ঘুমিয়ে গেছে, আমি এখানেই বসে আছি।  

**নন্তু** (গলা আরও নরম, কাউন্সেলর মোড):  
রিনা দি, শান্ত হয়ে বসো। শ্বাস নাও… শ্বাস ছাড়ো।  
জানো, কলকাতার অনেক মেয়েরা রাতে রেডিও শুনে শোয়। তুমি একা নও।  
ও যাবে, এসে পড়বে, কাল সকালে হ্যাঙ্গওভার নিয়ে মাফ মাগবে… আর তুমি অপেক্ষা করবে, কারণ তুমি বড়ো মনের।  
একটা পুরোনো গান শোনো… বেলা বয়ে যায়, যদি ও না আসে…  

*[বাজে: “বেলা বোস” – অঞ্জন দত্তের গান, নস্টালজিক, খুব কলকাতা]*  

**নন্তু**:  
রিনা দি, কাল ও আসবে। আর না এলেও… তুমি স্ট্রং। যখন ইচ্ছে কল করো।  

*[মাঝে মুড বজায় রাখতে]*  

**নন্তু**:  
কলকাতা, রাতের এই শান্তিতে এখন একটা গান যে আমার গানের স্বরলিপি লেখে… হেমন্ত-দার গলায়। শোনো, এই রাতটাকে আরও সুন্দর করে।  

*[বাজে: “আমার গানের স্বরলিপি” – হেমন্ত মুখোপাধ্যায়ের আত্মিক বাংলা ক্লাসিক]*  

*[পরের কলার – ক্লাস টেনের মেয়ে, গলা কাঁপছে]*

**কলার ৩ – প্রিয়া**:  
নন্তু-দা… বাবা-মা ফোন দেবে না বলে… আমি আজ… অনেক কিছু ভেবে ফেলেছিলাম…  

**নন্তু** (গলা আরও নীচু, জরুরি কিন্তু শান্ত):  
প্রিয়া, শোন। ফোনটা একটা মেশিন। তুমি একটা জীবন।  
বাবা-মা তোমাকে ভালোবাসে, ওদের ভয় হয় তোমাকে ইন্টারনেটের হাত থেকে বাঁচাতে।  
তুমি খুব ইম্পর্ট্যান্ট। এই রাতটা পার করে দাও… কাল স্কুলে যাও, বন্ধুদের সঙ্গে কথা বলো, আমার শো শোনো।  
লাইফ অনেক বড়ো, ফোন ছোটো। প্রমিস করো এখন ঘুমোতে যাবে?  

**প্রিয়া** (নাক টানছে):  
প্রমিস…  

**নন্তু**:  
গুড গার্ল। এই গানটা শোনো… আর মনে রেখো, তুমি তোমার উপায়েই জিতবে।  

*[বাজে: ফ্র্যাঙ্ক সিনাত্রা – “My Way”]*  

**নন্তু** (গানের পর):  
প্রিয়া, তুমি তোমার উপায়েই জিতবে। যখন ইচ্ছে কল করো।  

*[পরের কলার – চিন্তিত ভোটার]*  

**কলার ৪ – বিশ্বনাথ, সল্ট লেকের মধ্যবয়সি ভদ্রলোক** (উদ্বিগ্ন, তাড়াহুড়ো গলা):  
নন্তু-দা, ভোটের লিস্টে আমার নাম থাকবে কি? এই এসআইআর-এর জন্য সব কনফিউশন… ডকুমেন্ট জমা দিয়েছি, কিন্তু ভয় লাগছে, ইলেকশন আসছে, নাম না থাকলে কী হবে?  

**নন্তু** (শান্ত, আশ্বস্ত করে, কাউন্সেলর ভাইব):  
বিশ্বনাথ-দা, শান্ত। এসআইআর-এর এই গোলমালে অনেকেই টেনশনে আছে, কিন্তু তোমার নাম থাকবে। অনলাইনে ইলেকশন কমিশনের সাইটে চেক করো, না হলে লোকাল বুথে যাও।  
এই শহরে আমরা সবাই এক, ভোটের অধিকার কেউ হারাবে না। রিল্যাক্স, এক কাপ চা খাও, আর এই গান শোনো… আগর মুঝসে মোহাব্বত হ্যায়, তাহলে টেনশনকে দূর করো।  

*[বাজে: “আগর মুঝসে মোহাব্বত হ্যায়” – আপকি পরছাইয়াঁ ছবির রোমান্টিক হিন্দি ওল্ডি, একটু রসিকতার ছোঁয়া নিয়ে]*  

**নন্তু**:  
বিশ্বনাথ-দা, কাল চেক করো। সব ঠিক হয়ে যাবে। গুড নাইট।  

*[শেষ কলার – ১২ বছরের আরজুন, ভয়ে ভয়ে]*

**আরজুন**:  
নন্তু আঙ্কল… মা-বাবাকে পুলিশ বলেছে ডিজিটাল অ্যারেস্ট… ওদের ফোনে কিছু ফ্রড বলেছে, ব্যাঙ্ক অ্যাকাউন্ট খালি হয়ে যাবে বলে… আমি কী করব?  

**নন্তু** (দৃঢ় কিন্তু ভালোবেসে):  
আরজুন, সাবধানে শোন। এটা স্ক্যাম। পুলিশ কখনো ফোনে ডিজিটাল অ্যারেস্ট করে না।  
তুমি এখন মা-বাবাকে বলো ফোনটা অফ করে দিতে। কোনো লিঙ্ক ক্লিক করবে না, কোনো ইউপিআই পিন দেবে না।  
কাল সকালে কাছের থানায় যাও, কমপ্লেন করো।  
তুমি খুব স্মার্ট বাচ্চা… এই সময় তুমিই ওদের হিরো।  
একটা রোমান্টিক পুরোনো গান শোনো… জানো, লাইফে অনেক সন্ধে অদ্ভুত হয়, কিন্তু সব ঠিক হয়ে যায়।  

*[বাজে: “ইয়ে শাম মাস্তানি” – একটু রসিক হিন্দি ক্লাসিক ভাইব দিয়ে মুড হালকা করতে]*  

**নন্তু** (গানের পর):  
আরজুন, হিরো, এখন ঘুমিয়ে পড়। কাল সব সর্ট হয়ে যাবে।  

*[আরেকজন কলার ঢোকার চেষ্টা করে]*  

**কলার ৫ – অজ্ঞাতনামা রাজনৈতিক উৎসাহী** (উত্তেজিত, র‍্যান্ট করছে):  
নন্তু-দা, এই সরকারটা… সব দুর্নীতি, মেসির ঘটনাটাও রাজনৈতিক ষড়যন্ত্র, আর এই এসআইআর বা এনআরসি-র জন্য পুরো বাংলায়—  

**নন্তু** (মসৃণভাবে কেটে দিয়ে, হাসি মিশিয়ে):  
আরে ভাই, রাতের এই শান্তিতে পলিটিক্স না। এই শোটা লাভ, লাইফ আর কলকাতার রোল-বিরিয়ানি নিয়ে। তোমার জন্য একটা গান যে সব কথাকে ওয়ার্ডসে বাঁধে… কিন্তু পলিটিক্স নয়, প্লিজ!  

*[বাজে: “Words” – বিজিসের গান, শান্ত ইংরেজি ট্র্যাক দিয়ে টেনশন কমাতে]*  

**নন্তু**:  
দেখো, কথা সারিয়ে দিতে পারে বা আঘাত করতে পারে… সাবধানে বেছে নাও। কলার, পরের বার পার্সোনাল গল্প বলো।  

*[শো শেষ করতে, গলা উষ্ণ, বহুভাষিক]*  
কলকাতা, রাত অনেক হয়ে গেছে – আজ তো সল্ট লেকের বিশৃঙ্খলার পরেও। কেউ মোগলাই পরোটা খেয়ে ঘুমোতে যাচ্ছে, কেউ উত্তম-সুচিত্রার “সপ্তপদী” আবার দেখতে বসবে।  
তোমরা জেগে থাকো, কারণ এই শহর রাতেই বেঁচে থাকে। ইনসমনিয়াকরা, আমার সঙ্গে থাকো।  
কাল আবার মিডনাইটে দেখা হবে – আশা করি কম বিশৃঙ্খলা নিয়ে। এখন… শুভ রাত্রি, শুভ রাত্রি, গুড নাইট।  
আকাশ ভরা সূর্য-তারা… আবার শুরু হবে।  

*[আউট্রো: “আকাশ ভরা সূর্য-তারা”র ইন্সট্রুমেন্টাল ফেড, দূরে রাতের ফুচকা ঠেলার ঘণ্টির শব্দ মিশিয়ে]*